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Sound-on-disc

an early type of sound film installations

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 13, 2026
Entity authorityQ3490039
Source-derived summary

Sound-on-disc is a class of sound film processes using a phonograph or other disc to record or play back sound in sync with a motion picture. Early sound-on-disc systems used a mechanical interlock with the movie projector, while more recent systems use timecodes.

Examples of sound-on-disc processes

France

The Chronophone (Léon Gaumont) "Filmparlants" and phonoscènes 1902–1910 (experimental), 1910–1917 (industrial)

United States

Vitaphone introduced by Warner Bros. in 1926

Photokinema, short-lived system, invented by Orlando Kellum in 1921 (used by D. W. Griffith for Dream Street)

Digital Theater Systems

United Kingdom

British Phototone, short-lived British system using 12-inch discs, introduced in 1928–29 (Clue of the New Pin)

Other

Systems with the film projector linked to a phonograph or cylinder phonograph, developed by Thomas Edison (Kinetophone, Kinetophonograph), Selig Polyscope, French companies such as Gaumont (Chronomégaphone, Chronophone), and Pathé, and British systems.

Film censorship

During the 1920s and early 1930s, films in the United States were subject to censorship by state and city censor boards, which often required cuts of scenes before a film would be licensed for exhibition. While films using the sound-on-film process could accommodate a patch for a requested cut with ease, a film using sound-on-disc would require an expensive retake. If the cost of compliance with a censor board was too high, the film would not be shown in that state or city.

Editorial summary

The public source identifies “Sound-on-disc” as an early type of sound film installations. This brief keeps that definition visible, then builds a research path around Sound-on-disc, early and type.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1902, 1910, 1917, 1926—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Sound-on-disc, early and type providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Sound-on-disc”, the useful work is to connect “an early type of sound film installations” to the records capable of establishing context and consequence.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 13, 2026. The linked authority identifier is Q3490039. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1902, 1910, 1917 and 1926.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Sound-on-disc”, its source revision and the description used here.
  2. Expand the search: follow Sound-on-disc primary sources, Sound-on-disc archive and Sound-on-disc research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Sound-on-disc”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from Sound-on-disc” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.