On the Streets (film)
1933 film by Victor Trivas

On the Streets (French: Dans les rues) is a 1933 French crime drama film directed by Victor Trivas and starring Vladimir Sokoloff, Jean-Pierre Aumont and Madeleine Ozeray. The film was based on novel of J.-H. Rosny aîné. The film's sets were designed by the art director Andrej Andrejew.
The film is also known under the title Song of the Streets, and was the first film of French actor Jean Marais.
Synopsis
The plot focuses on a gang of young criminals and their redemption through the intervention of a sympathetic judge.
Cast
Jean-Pierre Aumont as Jacques
Madeleine Ozeray as Rosalie
Paulette Dubost as Pauline
Vladimir Sokoloff as Father Schlamp
Marcelle Worms as Madam Lérande
Germaine Michel as Concierge
Charlotte Dauvia as Jeanne
Lucien Paris as Maurice
Humbert as Cigare
Roger Legris as Moutarde
Pierre Lugan as Rosengart
Le Petit Patachou as Moustique
Emile Rosen as Gobiche
François Llenas as Main Droite
Jean Marais
Rose-Mai
References
Bibliography
Crisp, Colin. French Cinema—A Critical Filmography: Volume 1, 1929–1939. Indiana University Press, 2015.
The public source identifies “On the Streets (film)” as 1933 film by Victor Trivas. This brief keeps that definition visible, then builds a research path around Streets, film and Victor.
Why this record matters
A short description can identify a subject without explaining its stakes. For “On the Streets (film)”, the useful work is to connect “1933 film by Victor Trivas” to the records capable of establishing context and consequence.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Mar 3, 2026. The linked authority identifier is Q3015535. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1933, 1929, 1939 and 2015.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “On the Streets (film)”, its source revision and the description used here.
- Expand the search: follow On the Streets (film) primary sources, On the Streets (film) archive and Streets research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “On the Streets (film)”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “On the Streets (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.