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Solo (music)

musical piece or part of musical piece performed by a single musician; musical performance by a single voice, musician or instrument

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 18, 2026
Entity authorityQ270827
Source-derived summary

In music, a solo (Italian for 'alone') is a piece or a section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or organ, a continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a soloist.

The plural is soli or the anglicised form solos. In some contexts these are interchangeable, but the Italian form soli tends to be restricted to classical music and mostly either the solo performers or the solo passages in a single piece. Furthermore, the word soli can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroque concerto grosso, the term for such a group of soloists was concertino.

In popular music, an instrumental solo is often used during a break or bridge to add interest and variety to a part of the song without lyrics.

History

18th century

In the Baroque and Classical periods, the word solo was virtually equivalent to sonata, and could refer either to a piece for one melody instrument with (continuo) accompaniment, or to a sonata for an unaccompanied melody instrument, such as Johann Sebastian Bach's sonatas for violin alone.

Editorial summary

This brief starts where responsible research should: with the source description of “Solo (music)” as musical piece or part of musical piece performed by a single musician; musical performance by a single voice, musician or instrument. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current 228-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. The account is most persuasive where Solo, music and musical can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the people & ideas register because the source frames it as musical piece or part of musical piece performed by a single musician; musical performance by a single voice, musician or instrument. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jul 18, 2026. The linked authority identifier is Q270827. None of the 0 selected statements returned an explicit reference.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Solo (music)”, its source revision and the description used here.
  2. Expand the search: follow Solo (music) primary sources, Solo (music) archive and Solo research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Solo (music)”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Solo (music)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.