Silver Monk Time
2006 tribute compilation soundtrack album; various artists

Silver Monk Time is a tribute album inspired by the German-American beat band the Monks. It also serves as the soundtrack to Monks: The Transatlantic Feedback, a 2006 documentary film about the band. The record was produced and compiled by the filmmakers, Dietmar Post and Lucia Palacios, and released in October 2006 on the Play Loud! Productions label.
The official record release was part of a major event at Volksbühne theater in Berlin, Germany. In conjunction with the film's premiere, the Monks performed their first live show in Germany for almost 40 years. They were joined on stage by some of the musicians featured on the album, including The Raincoats, Mark E. Smith of The Fall, Peter Hein of Fehlfarben, and Schorsch Kamerun of Goldene Zitronen.
Concept
The production of Monks: The Transatlantic Feedback was hampered by financial problems. The creation of Silver Monk Time was in part an attempt to raise money for the film. The title came about due to a rumor that after the release of Black Monk Time in May 1966, the Monks had begun work on a second LP, called Silver Monk Time, which would have consisted entirely of one long "primitive beat", involving tambourines, an organ, and guitar feedback.
The public source identifies “Silver Monk Time” as 2006 tribute compilation soundtrack album; various artists. This brief keeps that definition visible, then builds a research path around Silver, Monk and Time.
Why this record matters
A short description can identify a subject without explaining its stakes. For “Silver Monk Time”, the useful work is to connect “2006 tribute compilation soundtrack album; various artists” to the records capable of establishing context and consequence.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 9, 2026. The linked authority identifier is Q2286535. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2006 and 1966.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Silver Monk Time”, its source revision and the description used here.
- Expand the search: follow Silver Monk Time primary sources, Silver Monk Time archive and Silver research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Silver Monk Time”?
- Which edition, object, performance or recording is being described?
- How did later circulation or interpretation alter the work’s reception?
Search terms from this dossier
This entry incorporates text from “Silver Monk Time” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.