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Sieben Stücke, Op. 145

1915–1916 composition by Max Reger

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 27, 2025
Entity authorityQ30591913 ↗
Source-derived summary

Sieben Stücke für Orgel (Seven organ pieces), Op. 145, is a collection of seven compositions for organ by Max Reger. He composed the work in three groups in 1915 and 1916. The titles of seven individual character pieces reflect aspects of World War I and Christian feasts. The compositions are based on traditional German hymns, sometimes combining several in one piece. Reger's last work for organ, it was published, again in three instalments, in 1915 and 1916.

Background

Reger was raised Catholic but was fascinated by the variety of melodies of Protestant hymns, and used quotations from them throughout his life. He was deeply affected by the World War and wrote an unfinished Latin Requiem in 1914 and the setting Requiem of a German poem in 1915, thinking of the victims of the battles. He composed next the seven pieces for organ in Jena, based on Christian hymns. He wrote numbers 1 to 3 in July 1915, then additionally, on a request by the publisher, 4 to 6 in October 1915, and the final 7th in February and March 1916.

Editorial summary

This brief starts where responsible research should: with the source description of “Sieben Stücke, Op. 145” as 1915–1916 composition by Max Reger. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1915, 1916, 1914—that can be checked directly. The linked authority record independently contributes the date 1915-01-01. The account is most persuasive where Sieben, Stücke and composition can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as 1915–1916 composition by Max Reger. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Dec 27, 2025. The linked authority identifier is Q30591913. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1915, 1916 and 1914.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
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The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Sieben Stücke, Op. 145”, its source revision and the description used here.
  2. Expand the search: follow Sieben Stücke, Op. 145 primary sources, Sieben Stücke, Op. 145 archive and Sieben research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Sieben Stücke, Op. 145” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.