CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Cuba in the OTI Festival 1991

Open-knowledge reference entry

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 6, 2026
Entity authorityQ138545164 ↗
Source-derived summary

Cuba was represented at the OTI Festival 1991 with the song "Si todos saben de ti", written by Rolando Ojeda, and performed by Delia Díaz de Villegas. The Cuban participating broadcaster, the Cuban Institute of Radio and Television (ICRT), selected its entry through a national televised competition. The song, qualified from the semi-final, was one of the finalists.

National stage

The Cuban Institute of Radio and Television (ICRT) held a national televised competition to select its debut entry for the 20th edition of the OTI Festival. This first edition of the national OTI festival, titled OTI 91, de La Habana a Acapulco, featured twenty-four songs in a semi-final, of which eight qualified for the final.

The shows were staged at ICRT's studio 19 in the FOCSA Building in Havana, were presented by Mirtha Medina and Carlos Otero, and were broadcast live on Cubavisión. Between 6 July and 7 September, the competing entries had been gradually presented in the weekly show Sábado conmigo, and the performances recorded there had been rebroadcast daily in prime time on Cubavisión.

The jury was composed of Amaury Pérez Vidal, Enrique Pineda Barnet, Enriqueta Almanza, Juan Formell, Miguel Patterson, Eugenio Pedraza Ginori, and Soledad Delgado. Each juror scored between 1 and 10 points each of the entries, considering various aspects of the song and the performer.

Semi-final

The semi-final was held on Saturday 21 September 1991, beginning at 20:30 CDT (00:30+1 UTC).

Editorial summary

Begin with the source’s own compact description: “Cuba in the OTI Festival 1991” is open-knowledge reference entry. The dossier treats that line as a proposition to test through Cuba, Festival and Open-knowledge, not as a finished interpretation.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1991—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, Cuba, Festival and Open-knowledge is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “open-knowledge reference entry” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jun 6, 2026. The linked authority identifier is Q138545164. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1991.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Cuba in the OTI Festival 1991”, its source revision and the description used here.
  2. Expand the search: follow Cuba in the OTI Festival 1991 primary sources, Cuba in the OTI Festival 1991 archive and Cuba research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Cuba in the OTI Festival 1991”?
  2. Which cited source is closest to the event, object or claim?
  3. What terminology or title could unlock a more precise catalogue search?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Cuba in the OTI Festival 1991” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.