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Shunbaisai Hokuei

Japanese designer of ukiyo-e style Japanese woodblock prints in Osaka

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 2, 2026
Entity authorityQ3075049 ↗
Source-derived summary

Shunbaisai Hokuei (Japanese: 春梅斎 北英; d. 1837), also known as Shunkō III, was a designer of ukiyo-e style Japanese woodblock prints in Osaka, and was active from about 1824 to 1837. He was a student of Shunkōsai Hokushū. Hokuei’s prints most often portray the kabuki actor Arashi Rikan II.

Hokuei's first collaboration with the talented engraver Yama Kasuke, who had already worked for Hokuei's own teacher Shunkōsai Hokushū (and had himself studied under him), was a deluxe ōban print showing Arashi Rikan II in a magnificent crane-decorated robe, standing within a whirlwind he had conjured, his hands positioned in a sorcerer's gesture as he used magical powers to control the elements. Hokuei's first ōkubi-e, published at the start of what would become his most productive year, was a deluxe double portrait of Nakamura Utaemon III as Kumagai no Jirō Naozane and Arashi Rikan II as Taira no Atsumori in Suma no Miyako Genpei Tsutsuji, staged at Osaka's Kado Theatre in the second month of 1832, an adaptation of tales from the Genpei War (1156–1185). Hokuei died in 1837; his pupils included Shun'yūsai Hokuhō (active around 1830), Shunshōsai Hokuju (active 1828–1836, also known by the gō Shun'eisai Hokuju and Gōryūken) and Shunshōsai Hokujun.

Shunbaisai Hokuei should not be confused with Tōkōen Hokuei (桃幸園 北英), an early 19th-century Edo (Tokyo) printmaker who is also commonly referred to as "Hokuei".

Notes

References

Keyes, Roger S. & Keiko Mizushima, The Theatrical World of Osaka Prints, Philadelphia, Philadelphia Museum of Art, 1973, 265.

Lane, Richard. (1978).

Editorial summary

“Shunbaisai Hokuei” enters the record as japanese designer of ukiyo-e style Japanese woodblock prints in Osaka. Crown Archives preserves that source wording while asking what Shunbaisai, Hokuei and Japanese can confirm, complicate or overturn.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1837, 1824, 1832, 1156—that can be checked directly. The linked authority record independently contributes the date 1750. Its strongest next move is a source search built around Shunbaisai, Hokuei and Japanese.
Editorial analysis

Why this record matters

“Shunbaisai Hokuei” is worth following because a concise public description often conceals a longer documentary argument. Here, Shunbaisai, Hokuei and Japanese provides the most credible route into that argument.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Sep 2, 2026. The linked authority identifier is Q3075049. VIAF identifies the subject as 269146997177618890323. 1 of 5 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1837, 1824, 1832 and 1156.

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This entry incorporates text from “Shunbaisai Hokuei” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.