Symphony No. 2 (Shostakovich)
symphony by Dmitri Shostakovich

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14, subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.
Shostakovich later revisited the events of the October Revolution in his Twelfth Symphony, subtitled The Year 1917.
Structure
The symphony is a short (about 20 minutes) experimental work in one movement; within this movement are four sections, the last of which includes a chorus. In a marked departure from his First Symphony, Shostakovich composed his Second in a gestural, geometric "music without emotional structure" manner, with the intent of reflecting speech patterns and physical movements in a neo-realistic style. This choice may have been influenced at least partially by Vsevolod Meyerhold's theory of biomechanics.
“Symphony No. 2 (Shostakovich)” enters the record as symphony by Dmitri Shostakovich. Crown Archives preserves that source wording while asking what Symphony, Shostakovich and symphony can confirm, complicate or overturn.
Why this record matters
“Symphony No. 2 (Shostakovich)” is worth following because a concise public description often conceals a longer documentary argument. Here, Symphony, Shostakovich and symphony provides the most credible route into that argument.
Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Jun 13, 2026. The linked authority identifier is Q210567. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1927 and 1917.
The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Symphony No. 2 (Shostakovich)”, its source revision and the description used here.
- Expand the search: follow Symphony No. 2 (Shostakovich) primary sources, Symphony No. 2 (Shostakovich) archive and Symphony research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Symphony No. 2 (Shostakovich)”?
- Which institution is responsible for the underlying evidence?
- What terminology or title could unlock a more precise catalogue search?
Search terms from this dossier
This entry incorporates text from “Symphony No. 2 (Shostakovich)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.