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Shefi Yishai

Israeli musician

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 18, 2026
Entity authorityQ7492813
Source-derived summary

Shefi Yishai (Hebrew: שפי ישי) is an Israeli composer and musical director for theater.

Yishai has released four albums starting with "Love and Hate". He worked on albums by David Broza and Yehuda Poliker as a session musician and producer and has performed with other musicians.

Works

Albums

1986: "Under the Closet", based on poems for children by Anda Amir Pinkerfeld, composed by Yishai and performed by Yehudit Tamir, Moti Dichne, Ya'akov Banai and Yishai.

First solo album, Love and Hate, released in 1991; Yishai composed music for a selection of poems by Israeli poets.

Second solo album, "A Man Would Not Talk About It", released in 2010

Music for theater

Sanjer, Closer, Cruel and Tender - Habima Theater.

Bracha - Beer Sheva Theater.

The Last Striptease, Night Play - Tsavta Theater.

Schneider & Schuster - Basel Theater (Switzerland)

The Concert, The Rise and Fall of Little Voice, Headlines News - Beit Lesin Theater

Revieue Lanoar / The Israeli Children theater

Nice Tony, Killer Joe, Blue Remembered Hills, Sky, Some Voices, Little Malcolm and his struggle against the eunuchs, Glengarry Glen Ross, Crime - The Han Theater

Brighton Beach Memoires - Haifa Theater

God, Crocodiles, Marriage Play, Moon of Alabama, Kol Nidrei - Herzliya Theater.

Perfect Days, The Last Summer - Beer Sheba Theater.

Editorial summary

The public source identifies “Shefi Yishai” as israeli musician. This brief keeps that definition visible, then builds a research path around Shefi, Yishai and Israeli.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1986, 1991, 2010—that can be checked directly. The linked authority record independently contributes the date 1954-12-23. Its value is orientation rather than verdict, with Shefi, Yishai and Israeli providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Shefi Yishai”, the useful work is to connect “israeli musician” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Mar 18, 2026. The linked authority identifier is Q7492813. VIAF identifies the subject as 160580212. 2 of 4 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 1986, 1991 and 2010.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Shefi Yishai”, its source revision and the description used here.
  2. Expand the search: follow Shefi Yishai primary sources, Shefi Yishai archive and Shefi research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Shefi Yishai”?
  2. How has the subject’s reputation changed across later accounts?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from Shefi Yishai” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.