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Sound the Alarm (Saves the Day album)

album by Saves the Day

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 13, 2026
Entity authorityQ3234005 ↗
Source-derived summary

Sound the Alarm is the fifth studio album by American rock band Saves the Day. After signing to major label DreamWorks Records, the band released In Reverie in late 2003. Shortly afterwards DreamWorks Records was absorbed by Interscope Records, resulting in the band being dropped from the label. After completing some songs in early 2005, the band was aiming to record in May, hoping to release the album in the fall. Pre-production took place in early August with recording being done at the band's own studio, Electric Ladybug Studios with Steve Evetts as the producer. After recording wrapped up in October, the band immediately undertook a 47-date US tour. Sound the Alarm, along with the later records Under the Boards (2007) and Daybreak (2011) form a trilogy whose theme is self-discovery.

In January 2006, the band re-signed with independent label Vagrant Records. After touring with Circa Survive and Moneen in spring 2006, Sound the Alarm was released in April. The album's release was preceded by the two songs—"The End" and "Shattered" —being made available for streaming.

Editorial summary

Begin with the source’s own compact description: “Sound the Alarm (Saves the Day album)” is album by Saves the Day. The dossier treats that line as a proposition to test through Sound, Alarm and Saves, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2003, 2005, 2007, 2011—that can be checked directly. The linked authority record independently contributes the date 2006-04-11. For this dossier, Sound, Alarm and Saves is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Saves the Day” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jul 13, 2026. The linked authority identifier is Q3234005. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2003, 2005, 2007 and 2011.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Sound the Alarm (Saves the Day album)”, its source revision and the description used here.
  2. Expand the search: follow Sound the Alarm (Saves the Day album) primary sources, Sound the Alarm (Saves the Day album) archive and Sound research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Sound the Alarm (Saves the Day album)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Sound the Alarm (Saves the Day album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.