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Sharon Freeman

American musician

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 21, 2026
Entity authorityQ1707634
Source-derived summary

Ahnee Sharon Freeman is a jazz pianist, French horn player and arranger.

Freeman played French horn for the jazz opera Escalator over the Hill, Gil Evans's 1973 album Svengali, and in 1983 she worked on a piece of jazz Christmas music. In 1982 she joined Charlie Haden's Liberation Music Orchestra and recorded three albums with the group between 1982 and 2004. Freeman has also worked and recorded with Frank Foster, Charles Mingus, Don Cherry, Muhal Richard Abrams, David Murray, and Lionel Hampton, and served as musical director for Don Pullen and for Beaver Harris' 360 Musical Experience.

Although more documented as a horn player, in 1988 Freeman was a guest as a pianist on Marian McPartland's Piano Jazz radio program on National Public Radio.

Freeman was nominated for a Grammy for her arrangement of "Monk's Mood" for five French horns and rhythm section for Hal Willner's album, That's the Way I Feel Now: A Tribute to Thelonious Monk. She has been commissioned by the Jazz Composer's Orchestra, the Brooklyn Philharmonic, and the Harlem Piano Trio. She has been cited by Jazz Times as the top-rated established jazz French horn player.

Discography

With Carla Bley

Escalator over the Hill (JCOA, 1968–71)

With Gil Evans

Svengali (Atlantic, 1973)

With George Gruntz

First Prize (Enja, 1989)

With Charlie Haden

The Ballad of the Fallen (ECM, 1982)

The Montreal Tapes: Liberation Music Orchestra (Verve, 1989 [1999])

Not in Our Name (Verve, 2004)

With Leroy Jenkins

For Players Only (JCOA Records, 1975)

With Warren Smith

Composers Workshop Ensemble (Claves, 1968–82)

With Charles Sullivan

Genesis (Strata-East, 1974)

References

Bibliography

Further reading

Leslie Gourse, Madame Jazz. Oxford University Press.

Editorial summary

The public source identifies “Sharon Freeman” as american musician. This brief keeps that definition visible, then builds a research path around Sharon, Freeman and American.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1973, 1983, 1982, 2004—that can be checked directly. The linked authority record independently contributes the date 2000-01-01. Its value is orientation rather than verdict, with Sharon, Freeman and American providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Sharon Freeman”, the useful work is to connect “american musician” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated Aug 21, 2026. The linked authority identifier is Q1707634. VIAF identifies the subject as 6822170868676922930008. The Library of Congress control number is no2004088753. 4 of 5 selected statements include explicit references; 2 carry qualifiers and 0 use preferred rank. The first chronological checks are 1973, 1983, 1982 and 2004.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

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  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
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Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Sharon Freeman”, its source revision and the description used here.
  2. Expand the search: follow Sharon Freeman primary sources, Sharon Freeman archive and Sharon research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Sharon Freeman”?
  2. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Sharon Freeman” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.