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Shangri-La (The Blackeyed Susans album)

studio album by The Blackeyed Susans

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 5, 2025
Entity authorityQ7488577 ↗
Source-derived summary

Shangri-La is the sixth studio album by The Blackeyed Susans, released in July 2003. After initial writing sessions in mid-1999, recording of the album was scheduled for 2000. It was postponed when the band’s then record company, Mds, was bought by Festival Records. The band eventually returned to the project in 2002, after their covers album Dedicated to the Ones We Love. It was released on their own label, Teardrop, the following year.

The title of the album Shangri-La, refers to an illusory island paradise, a lost utopia that exists only in imagination and metaphor an apt name considering it was almost abandoned as an impossible project. In an interview Phil Kakulas commented "It was named before, back when I still had all faith that it would be released," Kakulas begins, "but it seems almost prophetic in that we did almost lose it. The name 'Shangri-La' seems to sum up a lot of what the album is about. The songs seem to deal with what happiness might be and where you might find happiness. Also I've been listening to a lot of the Shangri-Las, the girl group, and I like that seedy neon lights appeal.

Editorial summary

The public source identifies “Shangri-La (The Blackeyed Susans album)” as studio album by The Blackeyed Susans. This brief keeps that definition visible, then builds a research path around Shangri-La, Blackeyed and Susans.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2003, 1999, 2000, 2002—that can be checked directly. The linked authority record independently contributes the date 2003. Its value is orientation rather than verdict, with Shangri-La, Blackeyed and Susans providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Shangri-La (The Blackeyed Susans album)”, the useful work is to connect “studio album by The Blackeyed Susans” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 5, 2025. The linked authority identifier is Q7488577. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2003, 1999, 2000 and 2002.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Shangri-La (The Blackeyed Susans album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.