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Seven Footprints to Satan

1929 film by Benjamin Christensen

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 23, 2026
Entity authorityQ7457260
Source-derived summary

Seven Footprints to Satan is a Synchronized sound 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. Although originally planned as a part-talkie, the film was released as a synchronized film only as evidenced by all period reviews that specifically mention that the film is "Synchronized" with Exhibitors Herald World specifically stating "there is no dialogue." The film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are not known to be extant.

Plot

Jim Kirkham, a wealthy young man devoted to exploration and the collecting of exotic curiosities, is taken to task by his uncle for his extravagance. Obsessed with mysterious artifacts and unorthodox scientific experiments, Jim has turned his home into a kind of personal museum and laboratory. He is in love with Eve Martin, the daughter of a renowned gem collector.

At a glittering reception at Eve’s home, a rare and fabulous jewel is exhibited. But amid a series of strange and unexplained occurrences, the gem mysteriously disappears.

Editorial summary

Begin with the source’s own compact description: “Seven Footprints to Satan” is 1929 film by Benjamin Christensen. The dossier treats that line as a proposition to test through Seven, Footprints and Satan, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1929, 1928—that can be checked directly. The linked authority record independently contributes the date 1929-01-01. For this dossier, Seven, Footprints and Satan is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1929 film by Benjamin Christensen” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 23, 2026. The linked authority identifier is Q7457260. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1929 and 1928.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Seven Footprints to Satan”, its source revision and the description used here.
  2. Expand the search: follow Seven Footprints to Satan primary sources, Seven Footprints to Satan archive and Seven research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Seven Footprints to Satan”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from Seven Footprints to Satan” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.