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Sergey Solomko

Russian-French painter

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 28, 2026
Entity authorityQ16699469
Source-derived summary

Sergey Sergeyevich Solomko (Russian: Сергей Сергеевич Соломко; 22 August 1867 – 2 February 1928) was a Russian painter, watercolorist, illustrator and designer.

Life and work

He was the son of Colonel (later, Major-General) Sergey Solomko (1835-1897), who was employed in the service of Grand Duke Konstantin Nikolayevich, and he grew up in the Konstantinovsky Palace.

From 1883 to 1887, he attended the Moscow School of Painting, Sculpture and Architecture then, for a year, audited classes at the Imperial Academy of Arts. Around this time, he began work as a magazine illustrator. His first known work of this type was for Север (North) a weekly literary journal that began publication in 1888. Shortly after, he was employed by Нива (Grainfield), which was Russia's most popular magazine at the end of the 19th century. He also worked for Мир искусства (World of Art) and a satirical journal called Шут (The Fool).

In the 1890s, he worked for Aleksey Suvorin, providing illustrations for stories by Pushkin and Chekhov and the poem The Song of the Merchant Kalashnikov by Lermontov. In 1901, he was one of several artists who illustrated a special edition of Dead Souls by Gogol, published by Adolf Marks. He also designed theater posters and a popular series of postcards depicting old Russia, published by Maison Lapine of Paris.

Editorial summary

The public source identifies “Sergey Solomko” as russian-French painter. This brief keeps that definition visible, then builds a research path around Sergey, Solomko and Russian-French.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1867, 1928, 1835, 1897—that can be checked directly. The linked authority record independently contributes the date 1867-08-10. Its value is orientation rather than verdict, with Sergey, Solomko and Russian-French providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Sergey Solomko”, the useful work is to connect “russian-French painter” to the records capable of establishing context and consequence.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 28, 2026. The linked authority identifier is Q16699469. VIAF identifies the subject as 49125085. The Library of Congress control number is nr96015302. 2 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1867, 1928, 1835 and 1897.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from Sergey Solomko” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.