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See What You Want to See

1999 album

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 30, 2025
Entity authorityQ7445539 ↗
Source-derived summary

See What You Want to See is American country music artist Radney Foster's third studio album. It was released in 1999 on Arista Records. The record features a number of notable guests, such as Darius Rucker from Hootie & the Blowfish, as well as Abra Moore and Emmylou Harris. Singles from this album were "I'm In" and "Godspeed (Sweet Dreams)."

Content

"Raining on Sunday" was later recorded by Keith Urban on his 2002 album Golden Road, from which it was released as a single in 2003. The Kinleys released a cover of "I'm In" from the 2000 album II, which Foster produced; ten years later, Urban released his version of the same song as a single from his 2009 album Defying Gravity. Additionally, the Dixie Chicks released a cover of "Godspeed (Sweet Dreams)", from their 2002 album Home, in 2003.

Critical reception

Stephen Thomas Erlewine of Allmusic rated the album four stars out of five. He called its sound "classy, mature pop music" and thought that "I'm In," "Folding Money" and "Angry Heart" "showcase him at his best as a songwriter while successfully delivering a fresh, updated sound."

Track listing

All songs written by Radney Foster except where noted.

"I've Got a Picture" – 4:43

"I'm In" (Foster, Georgia Middleman) – 5:18

duet with Abra Moore

"Raining on Sunday" (Darrell Brown, Foster) – 3:57

duet with Darius Rucker

"Folding Money" – 4:16

duet with Patrice Pike

"Angry Heart" (Stephany Delray, Foster) – 4:04

"The Kiss" – 3:59

"You Were So Right" (Brown, Delray, Foster) – 3:29

"God Knows When" – 4:17

"The Lucky Ones" – 3:29

"Godspeed (Sweet Dreams)" – 4:54

duet Emmylou Harris

Personnel

As listed in liner notes.

Editorial summary

Begin with the source’s own compact description: “See What You Want to See” is 1999 album. The dossier treats that line as a proposition to test through What, Want and album, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1999, 2002, 2003, 2000—that can be checked directly. The linked authority record independently contributes the date 1999-01-01. For this dossier, What, Want and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “1999 album” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 30, 2025. The linked authority identifier is Q7445539. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1999, 2002, 2003 and 2000.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “See What You Want to See”, its source revision and the description used here.
  2. Expand the search: follow See What You Want to See primary sources, See What You Want to See archive and What research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “See What You Want to See”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “See What You Want to See” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.