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Scanderbeg (Vivaldi)

opera by Antonio Vivaldi

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 21, 2026
Entity authorityQ2617108 ↗
Source-derived summary

Scanderbeg (Italian pronunciation: [ˈskanderbeɡ]; RV 732) is an opera (dramma per musica) in three acts composed by Antonio Vivaldi to an Italian libretto by Antonio Salvi. It was first performed at the Teatro della Pergola in Florence on 22 June 1718 to mark the re-opening of the theatre to public performances. While the libretto has been preserved, only fragments of the original score remain.

Synopsis

The subject of the opera is Skanderbeg, who is presented as the king of Albania, but also as an ethnic Greek.

Roles

Recordings

Two arias from the opera's second act, "S'a voi penso, o luci belle" (Ormondo) and "Con palme ed allori" (Scanderbeg), can be heard on Arie ritrovate sung by contralto Sonia Prina with the Accademia Bizantina, conducted by Ottavio Dantone (Naïve Records).

References

Notes

Sources

Colas, Damien and Di Profio, Alessandro (2009). D'une scène à l'autre, l'opéra italien en Europe: Les pérégrinations d'un genre. Mardaga. ISBN 2-87009-992-4 (in French)

Holmes, William (1994). Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century.

Editorial summary

Begin with the source’s own compact description: “Scanderbeg (Vivaldi)” is opera by Antonio Vivaldi. The dossier treats that line as a proposition to test through Scanderbeg, Vivaldi and opera, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1718, 2009, 1994—that can be checked directly. The linked authority record independently contributes the date 1800. For this dossier, Scanderbeg, Vivaldi and opera is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “opera by Antonio Vivaldi” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 21, 2026. The linked authority identifier is Q2617108. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1718, 2009 and 1994.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Scanderbeg (Vivaldi)”, its source revision and the description used here.
  2. Expand the search: follow Scanderbeg (Vivaldi) primary sources, Scanderbeg (Vivaldi) archive and Scanderbeg research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Scanderbeg (Vivaldi)”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
Subject index

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Source & attribution

This entry incorporates text from “Scanderbeg (Vivaldi)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.