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...Is a Real Boy

Studio album by Say Anything

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 23, 2026
Entity authorityQ3594816
Source-derived summary

...Is a Real Boy is the second studio album by American rock band Say Anything, released on August 3, 2004.

Recording

On January 27, 2003, the band announced they had signed to Doghouse Records; shortly after, they recorded demos for their next album, which was expected to be released later in the year. The following month, vocalist Max Bemis and drummer Coby Linder were in the process of recruiting members to help them tour. With tremendous self-created pressure, Bemis threw himself into pushing the sonic boundaries of the band and maturing their sound, incorporating elements of math-rock, indie-pop and theatrical pomp. He and Linder also started the search for a producer. The two met several producers but eventually decided on Tim O'Heir and Stephen Trask. Bemis struggled with different ideas for the record and decided the album should focus on "the artistic struggle, the fact that every creative person has this sick ambition to affect some sort of change in society with their art, to be more than just a guy in a band or a poet or a sculptor." According to the album's liner notes, ...Is a Real Boy was originally intended to be a rock opera, complete with a full narrative, cast of characters and spoken word interludes between each song. One tentative title for the album was Zona! Zona! However, Bemis became overwhelmed by the entire process of writing and playing most of the instruments and had a breakdown.

Editorial summary

“...Is a Real Boy” enters the record as studio album by Say Anything. Crown Archives preserves that source wording while asking what Real, Studio and album can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2004, 2003—that can be checked directly. The linked authority record independently contributes the date 2004. Its strongest next move is a source search built around Real, Studio and album.
Editorial analysis

Why this record matters

“...Is a Real Boy” is worth following because a concise public description often conceals a longer documentary argument. Here, Real, Studio and album provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 23, 2026. The linked authority identifier is Q3594816. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2004 and 2003.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “...Is a Real Boy”, its source revision and the description used here.
  2. Expand the search: follow ...Is a Real Boy primary sources, ...Is a Real Boy archive and Real research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “...Is a Real Boy”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from ...Is a Real Boy” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.