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Sameach

song performed by PingPong

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 26, 2026
Entity authorityQ7409225
Source-derived summary

"Sameyakh" or "Sameach" (Hebrew script: שמייח; meaning "happy") is a song by the techno / pop band PingPong, a quartet consisting of Guy Asif, Roy Arad, Yifat Giladi, and Ahal Eden. The song represented Israel in the Eurovision Song Contest 2000.

Themes

The song describes an Israeli woman on a kibbutz who appears to be depressed, having a torrid affair with a Damascus man, who appears in the video in a traditional headdress, or keffiyeh. It makes references to wars and natural disasters such as floods, and when the reference to the cucumber is made, the singers sing into cucumbers. It also used the suggestive line "I want to do it with him all day long".

Eurovision

The group had originally entered the contest as a joke. At the end of the performance the group waved small flags of both Israel and Syria; the waving of the Flag of Syria led to the performance being disendorsed by the Israeli Broadcasting Authority after the group had refused to withdraw the use of the flag for the final. The performance also garnered controversy when the group, at the last minute, decided to sing the song's English title ("Be Happy") in place of the Hebrew title, after previously having stated that they would sing the song entirely in Hebrew.

The song qualified for the Eurovision Song Contest after defeating 83 other acts earlier in the year, without incident. However, upon brandishing the new dance and flag routine at the dress rehearsal, which coincided with Independence Day of Israel, Israeli talkbalk radio and newspapers were inundated with complaints at a period when Israel had withdrawn from southern Lebanon due to guerrilla attacks by the Hezbollah militia, which was supported by a Syrian government which did not recognise Israel's sovereignty.

Editorial summary

“Sameach” enters the record as song performed by PingPong. Crown Archives preserves that source wording while asking what Sameach, song and performed can confirm, complicate or overturn.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2000—that can be checked directly. The linked authority record independently contributes the date 2000. Its strongest next move is a source search built around Sameach, song and performed.
Editorial analysis

Why this record matters

“Sameach” is worth following because a concise public description often conceals a longer documentary argument. Here, Sameach, song and performed provides the most credible route into that argument.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 26, 2026. The linked authority identifier is Q7409225. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2000.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Sameach”, its source revision and the description used here.
  2. Expand the search: follow Sameach primary sources, Sameach archive and Sameach research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Sameach”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from Sameach” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.