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Salon de la Sécession

Avant-gardist art exhibition held in Luxembourg from 1927 to 1930

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionOct 5, 2025
Entity authorityQ7405685 ↗
Source-derived summary

The Salon de la Sécession was an Avant-gardist art exhibition which was held in Luxembourg each year from 1927 to 1930. It was the main event of the Luxembourg Secession movement which had been founded in 1926 by a number of artists including Claus Cito, Nico Klopp, Joseph Kutter and Auguste Trémont and Harry Rabinger who were unhappy with the academic approach of the Cercle artistique de Luxembourg and its support of Impressionism. Hoping to develop interest in Fauvism and Expressionism, they had been inspired by similar but substantially earlier secessionist movements in Munich (1892), Vienna (1896) and Berlin (1897). The Luxembourg movement folded in 1930 following the reconciliation of the Secession movement and the Cercle artistique.

The Salon's first exhibition was held in Luxembourg's city hall in 1927. The participating artists were Claus Cito, Nico Klopp, Joseph Kutter, Jemp Michels, Harry Rabinger, Jean Schaak, Jos Sünnen, Jean-Joseph Thiry and Auguste Trémont.

Editorial summary

Begin with the source’s own compact description: “Salon de la Sécession” is avant-gardist art exhibition held in Luxembourg from 1927 to 1930. The dossier treats that line as a proposition to test through Salon, Sécession and Avant-gardist, not as a finished interpretation.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1927, 1930, 1926, 1892—that can be checked directly. The linked authority record independently contributes the date 1926. For this dossier, Salon, Sécession and Avant-gardist is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “avant-gardist art exhibition held in Luxembourg from 1927 to 1930” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Oct 5, 2025. The linked authority identifier is Q7405685. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1927, 1930, 1926 and 1892.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Salon de la Sécession primary sources, Salon de la Sécession archive and Salon research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “Salon de la Sécession” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.