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Transcriptions by Franz Liszt

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 7, 2026
Entity authorityQ5492885
Source-derived summary

This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers.

These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions.

Liszt also extensively treated his own works in a similar manner, but these are not tallied here—neither are his treatments of national (or "folk") melodies whose composers are unknown, nor other anonymous works.

In most cases, Liszt arranged only one or two pieces by a composer, but he delved more deeply into the works of Bach, Beethoven, Bellini, Berlioz, Chopin, Donizetti, Gounod, Mendelssohn, Meyerbeer, Mozart, Rossini, Schubert, Schumann, Verdi, Wagner, and Weber.

The earliest-born composer whose works Liszt dealt with was Orlande de Lassus (born c. 1532). Jacques Arcadelt was born earlier (c. 1507), but Liszt's treatment was not of Arcadelt's original work, rather of a setting by Pierre-Louis Dietsch loosely based on Arcadelt. The last composer to die whose works Liszt dealt with was Géza Zichy (1849–1924).

Kornél Ábrányi

Gregorio Allegri

Alexander Alyabyev

Note: The Mazurka pour piano composée par un amateur de St. Pétersbourg, paraphrasée par F. L. (S.384) was based on a mazurka that has often been misattributed to Alyabyev, but was in fact written by Mikhail Vielgorsky.

Jacques Arcadelt

Thomas Arne

Daniel Auber

Johann Sebastian Bach

Giuseppe Baini

Ludwig van Beethoven

Vincenzo Bellini

Hector Berlioz

Louise Bertin

János Bihari

Giovanni Bononcini

Alexander Borodin

René de Galard de Béarn, Marquis de Brassac

Pyotr Bulakhov

Hans von Bülow

Frédéric Chopin

August Conradi

Peter Cornelius

Guillaume Louis Cottrau

César Cui

Alexander Dargomyzhsky

Ferdinand David

Léo Delibes

Josef Dessauer

Anton Diabelli

Pierre-Louis Dietsch

Gaetano Donizetti

Giuseppe Donizetti

Felix Draeseke

Béni Egressy and Ferenc Erkel

Ferenc Erkel

Ernest II, Duke of Saxe-Coburg and Gotha

László Fáy

Leó Festetics

John Field

Robert Franz

Wenzel Robert von Gallenberg

Manuel García

Ludmilla Gizycka-Zámoyská

Mikhail Glinka

Adalbert von Goldschmidt

Charles Gounod

Fromental Halévy

George Frideric Handel

Johann von Herbeck

Ferdinand Huber

Johann Nepomuk Hummel

Ernest Knop

Francis Korbay

Josef Krov

Charles Philippe Lafont

Eduard Lassen

Orlande de Lassus

Otto Lessmann

Prince Louis Ferdinand of Prussia

Sir Alexander Mackenzie

Grand Duchess Maria Pavlovna of Russia

Jules Massenet

Felix Mendelssohn

Saverio Mercadante

Giacomo Meyerbeer

Mihály Mosonyi

Wolfgang Amadeus Mozart

Otto Nicolai

Giovanni Pacini

Niccolò Paganini

Luigi Pantaleoni

Giovanni Battista Perucchini

F. Pezzini

Joachim Raff

Alexander Ritter

Salvator Rosa (attrib.)

Gioachino Rossini

Claude Joseph Rouget de Lisle

Jean-Jacques Rousseau

Anton Rubinstein

Camille Saint-Saëns

Franz Schubert

Clara Schumann

Robert Schumann

Bedřich Smetana

Mariano Soriano

Louis Spohr

Gaspare Spontini

Imre Széchényi

Karl Tausig

Pyotr Ilyich Tchaikovsky

Pier Adolfo Tirindelli

János Végh

Giuseppe Verdi

Mikhail Vielgorsky

Note: Vielgorski is also seen as Count Michael Wielhorski.

Editorial summary

This brief starts where responsible research should: with the source description of “Transcriptions by Franz Liszt” as open-knowledge reference entry. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—1532, 1507, 1849, 1924—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Transcriptions, Franz and Liszt can be independently traced.
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The subject matters to the general reference register because the source frames it as open-knowledge reference entry. Its deeper value depends on whether names, dates, institutions and citations support that framing.

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Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Jun 7, 2026. The linked authority identifier is Q5492885. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1532, 1507, 1849 and 1924.

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The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Transcriptions by Franz Liszt” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.