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Ryonosuke Hirama

musical artist

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 22, 2025
Entity authorityQ47459035
Source-derived summary

Ryonosuke Hirama (平間 亮之介, Hirama Ryōnosuke) is a Japanese musician, composer, arranger, record producer, pianist and keyboard player, based in Tokyo and Karuizawa.

Career

Hirama works on advertisement film and soundtrack, producing original albums, offering songs for various artists, and playing instruments at recordings and lives. Hirama is a central member of tangerine. which is a record producing group. He co-starred with a former erhu player from the Twelve Girls Band as a producer and a pianist at a concert held in Karuizawa 2016 and 2017. Hiramas recent work is a song called Blue Star by The Idolmaster (Dancin' Blue, 2017). The song was introduced as a live performance in front of a 10,000 person audience at a 2018 New Year concert held at Makuhari Messe Chiba, Japan.

Discography

Total Production

Flavor Bossa Case (2006)

Flavor Bossa Case II (2006)

FLAVOR BOSSA CASE ORANGE STYLE (2007)

FLAVOR BOSSA CASE SAKURA (2008)

FLAVOR BOSSA CASE TEARS (2008)

Login! (2009)

Plugin! (2009)

SPRING SWEET LOVE (2010)

Flavor Bossa Case BEST OF GROOVE STYLE (2011)

Flavor Bossa Case BEST OF MELLOW STYLE (2011)

Collaborations

Twilight Flavour (2005)

Aperitivo TOKYO (2006)

In The Morning BEST (2006)

Flavor Bossa Case BEST OF MELLOW and GROOVE (2007)

ViVi HOLIDAY STYLE selected by LENA FUJII (2008)

PLAY LOUD (2008)

memories...cafe & drive music (2009)

COLORFUL HARVEST (2009)

HOMMAGE Bossa Style non stop mix (2011)

Other appearances

Lia

Shakou no oka (gift, 2005) composed, arranged

SANDSTORM (new moon, 2008) composed

animation soundtrack

Curtain, heavenly bird (amaenaideyo!!

Editorial summary

The public source identifies “Ryonosuke Hirama” as musical artist. This brief keeps that definition visible, then builds a research path around Ryonosuke, Hirama and musical.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—2016, 2017, 2018, 2006—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Ryonosuke, Hirama and musical providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Ryonosuke Hirama”, the useful work is to connect “musical artist” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated May 22, 2025. The linked authority identifier is Q47459035. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2016, 2017, 2018 and 2006.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Ryonosuke Hirama”, its source revision and the description used here.
  2. Expand the search: follow Ryonosuke Hirama primary sources, Ryonosuke Hirama archive and Ryonosuke research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ryonosuke Hirama”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
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Source & attribution

This entry incorporates text from Ryonosuke Hirama” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.