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Rock Away

1981 studio album by Phoebe Snow

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 17, 2026
Entity authorityQ107710133
Source-derived summary

Rock Away is the sixth studio album by American singer-songwriter Phoebe Snow, recorded in 1980 and released in 1981.

Background/recording

Following her massively successful 1974 self-title debut album, Phoebe Snow had seen her fortunes dwindle over four subsequent albums over four subsequent years. In 1979, rather than recording the fifth and final album due to Columbia Records, Snow had asked the label for release. Snow negotiated with Polydor Records in the spring of 1980, but would sign a two-album deal with newly formed Mirage Records in October 1980, having reportedly commenced recording sessions for her sixth studio album over the summer.

Snow's aspiration for her album Rock Away was what had been the failed aspiration for Snow's 1978 Against the Grain album - and would remain Snow's purported lifelong aspiration - : to trump her "wintry pop-folk-jazz chanteuse" musical persona with that of a "red-hot blues-and-rock-belting mama". Produced by Greg Ladanyi - who had notably helmed albums by Jackson Browne and Warren Zevon- Rock Away featured Snow covering R&B-style songs - including her personal choice of the Don Covay number "Mercy, Mercy, Mercy" - and vintage Rod Stewart ("Gasoline Alley") as well as introducing three Snow originals (Snow judging that two of the five songs she wrote for the album were subpar). The Snow originals include the title cut which - despite being entitled "Rock Away" - is a "sparse acoustic song [with] a genuine pastoral feel...the only [track] featuring Snow on guitar...significantly, it's the [album's] only understated song".

The majority of recording sessions for Rock Away took place at Manhattan's Power Plant and featured members of Billy Joel's band: Joel's wife Elizabeth Joel was then managing Snow, although that association had ended by the release of Rock Away. "Games", the track released as an advance single in February 1981 was recorded at Record One (LA), featuring such stalwart LA session players as keyboardist Bill Payne, drummer Russ Kunkel, and electric guitarists Danny Kortchmar and Waddy Wachtel.

Critical reception

Rock Away was released in March 1981 to mixed reviews: Jack Lloyd of the Philadelphia Inquirer opined "Miss Snow departs sharply from her long-standing pattern with this one...And the results are generally pleasing.

Editorial summary

“Rock Away” enters the record as 1981 studio album by Phoebe Snow. Crown Archives preserves that source wording while asking what Rock, Away and studio can confirm, complicate or overturn.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1980, 1981, 1974, 1979—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Rock, Away and studio.
Editorial analysis

Why this record matters

“Rock Away” is worth following because a concise public description often conceals a longer documentary argument. Here, Rock, Away and studio provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 17, 2026. The linked authority identifier is Q107710133. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1980, 1981, 1974 and 1979.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Rock Away”, its source revision and the description used here.
  2. Expand the search: follow Rock Away primary sources, Rock Away archive and Rock research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Rock Away”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Rock Away” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.