RoboGeisha
2009 film by Noboru Iguchi

RoboGeisha (Japanese: ロボゲイシャ) is a 2009 Japanese sci-fi action comedy film written and directed by Noboru Iguchi, visual effects directed by Tsuyoshi Kazuno, and special effects directed by Yoshihiro Nishimura. All three had previously worked together on The Machine Girl, and Nishimura worked on Tokyo Gore Police. The film premiered in theaters on October 3, 2009 and received generally negative reviews. The film's theme song is "Lost Control" by Art-School.
The film is about two sisters named Yoshie and Kikue Kasuga, Geishas who get abducted by a steel manufacturer in an attempt to transform them into murderous cyborg assassins.
Plot
The film opens with an assassination attempt on a political candidate by a geisha who is revealed to be a cyborg assassin. She is accompanied by two women in tengu masks who dispatch the candidate's bodyguards using unconventional weapons, including shuriken fired from their buttocks. The candidate is attacked by the geisha's mouth-mounted circular saw, but is saved by the sudden arrival of another cyborg geisha, Yoshie Kasuga (Aya Kiguchi), who destroys the attacker.
In flashback, Yoshie and her older sister Kikue (Hitomi Hasebe) are orphaned geisha living in a traditional house. Kikue, the favored and talented sibling, constantly bullies the clumsy Yoshie.
This brief starts where responsible research should: with the source description of “RoboGeisha” as 2009 film by Noboru Iguchi. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as 2009 film by Noboru Iguchi. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 1, 2026. The linked authority identifier is Q1576846. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2009.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “RoboGeisha”, its source revision and the description used here.
- Expand the search: follow RoboGeisha primary sources, RoboGeisha archive and RoboGeisha research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “RoboGeisha”?
- Where is authorship, date or provenance documented?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “RoboGeisha” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.