CACrown ArchivesThe cinema collection
Menu
Research dossier · People & Ideas

Robin Blaze

British opera singer

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 24, 2026
Entity authorityQ23638834
Source-derived summary

Robin Blaze (born 11 January 1971) is a British countertenor.

Early life

He was born in Manchester, England. He is the son of Peter Blaze, who is a professional golfer, by the same's wife Christine. Blaze and his brother Mark grew up in Shadwell, near Leeds, and he was educated at Leeds Grammar School, Uppingham School, and Magdalen College, Oxford. At Uppingham School Blaze was taught by the celebrated countertenor John Whitworth.

Having made his first solo recordings as a treble with Stephen Lomas, Blaze was both a chorister and an academical clerk at Magdalen College, where he recorded with the Dufay Consort. After graduating, he won a scholarship for postgraduate studies at the Royal College of Music, where he studied with Michael Chance and Ashley Stafford. After completing his education, he became professor of Vocal Studies at the Royal College of Music. He has also studied flute, piano, and organ.

Opera

His opera roles have included:

Anfinomo in Monteverdi's Il ritorno d'Ulisse in patria (Teatro Sao Carlos, Lisbon)

Narciso in Handel's Agrippina (Karlsruhe)

Unulfo in Handel's Rodelinda (Broomhill Opera Festival, produced by Jonathan Miller)

Athamas in Handel's Semele (Royal Opera House and English National Opera, conducted by Sir Charles Mackerras AC CH CBE)

Didymus in Handel's Theodora (Glyndebourne Festival Opera)

Arsamenes in Handel's Xerxes (English National Opera)

Hamor in Handel's Jephtha (English National Opera and also Welsh National Opera)

Bertarido in Handel's Rodelinda (Glyndebourne Touring Opera and Handel Festival Göttingen)

Rinaldo in Handel's Rinaldo (Handel Festival Göttingen)

Oberon in Britten's A Midsummer Night's Dream (English National Opera)

Rupert Brooke in Geraint Lewis's A Shining Piece

Performances

Blaze has performed with conductors including Harry Christophers, Stephen Cleobury, John Eliot Gardiner, Philippe Herreweghe, Richard Hickox, David Hill, Christopher Hogwood, René Jacobs, Robert King, Ton Koopman, Nicholas Kraemer, Gustav Leonhardt, Paul McCreesh, Nicholas McGegan, Trevor Pinnock, and Masaaki Suzuki.

Editorial summary

The public source identifies “Robin Blaze” as british opera singer. This brief keeps that definition visible, then builds a research path around Robin, Blaze and British.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1971—that can be checked directly. The linked authority record independently contributes the date 1971-01-01. Its value is orientation rather than verdict, with Robin, Blaze and British providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Robin Blaze”, the useful work is to connect “british opera singer” to the records capable of establishing context and consequence.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Aug 24, 2026. The linked authority identifier is Q23638834. VIAF identifies the subject as 71601574. The Library of Congress control number is n86860549. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1971.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Robin Blaze”, its source revision and the description used here.
  2. Expand the search: follow Robin Blaze primary sources, Robin Blaze archive and Robin research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Robin Blaze”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. Which claims depend on a single source or contested interpretation?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Robin Blaze” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.