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Research dossier · Arts & Letters

Joys (song)

2019 song by Roberto Surace

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 22, 2025
Entity authorityQ85772198 ↗
Source-derived summary

"Joys" is a song produced and recorded by Italian electronic/house DJ/remixer Roberto Surace, which samples The S.O.S. Band's 1986 single "The Finest". The song became Surace's first number one on both Billboard's Dance Club Songs chart and joint ventured Shazam Ibiza dance charts (in its 12 October and 30 September 2019 issues, respectively), and in Australia on the ARIA Club Chart (in its 30 September 2019 issue).

Editorial summary

This brief starts where responsible research should: with the source description of “Joys (song)” as 2019 song by Roberto Surace. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1986, 2019—that can be checked directly. The linked authority record independently contributes the date 2019-07-12. The account is most persuasive where Joys, song and Roberto can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2019 song by Roberto Surace. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Apr 22, 2025. The linked authority identifier is Q85772198. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1986 and 2019.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Joys (song)”, its source revision and the description used here.
  2. Expand the search: follow Joys (song) primary sources, Joys (song) archive and Joys research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Joys (song)”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

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Source & attribution

This entry incorporates text from “Joys (song)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.