Robert Wilson (tenor)
Scottish tenor (1907–1964)

Robert Wilson (2 January 1907 – 25 September 1964) was a Scottish tenor. After beginning his career with the Rothesay Entertainers in Scotland, Wilson joined the D'Oyly Carte Opera Company, with whom he performed from 1931 to 1937, including several leading roles, while also beginning his recording career. He then began a long solo career in concerts, radio, variety and recording, becoming known especially for his performances of Scottish songs.
Life and career
Wilson was born in Cambuslang. His father, Alexander, was a tailor, and his mother was Marion née McLurg. He began singing as a boy in the Newarthill United Free Church Choir, then joined the Clydesdale male voice choir. He trained at first as a draughtsman, then, in his twenties, as a professional singer in Glasgow. He initially performed for several seasons as part of the Rothesay Entertainers in Scotland. At the same time, he sang at Clan concerts and Scottish Festivals.
In 1931, Wilson joined the D'Oyly Carte Opera Company, at first in the chorus, understudying and occasionally performing the role of the Defendant in Trial by Jury and Ralph Rackstraw in H.M.S. Pinafore.
Begin with the source’s own compact description: “Robert Wilson (tenor)” is scottish tenor (1907–1964). The dossier treats that line as a proposition to test through Robert, Wilson and tenor, not as a finished interpretation.
Why this record matters
The phrase “scottish tenor (1907–1964)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jun 29, 2026. The linked authority identifier is Q7351159. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1907, 1964, 1931 and 1937.
Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Robert Wilson (tenor)”, its source revision and the description used here.
- Expand the search: follow Robert Wilson (tenor) primary sources, Robert Wilson (tenor) archive and Robert research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Robert Wilson (tenor)”?
- Which cited source is closest to the event, object or claim?
- What terminology or title could unlock a more precise catalogue search?
Search terms from this dossier
This entry incorporates text from “Robert Wilson (tenor)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.