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Rigaudon

cheerful Baroque dance movement in duple meter

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 12, 2026
Entity authorityQ383845
Source-derived summary

The rigaudon (French: [ʁiɡodɔ̃, ʁiɡɔdɔ̃], Occitan: [riɣawˈðu]), anglicized as rigadon or rigadoon, is a French baroque dance with a lively duple metre. The music is similar to that of a bourrée, but the rigaudon is rhythmically simpler with regular phrases (eight measure phrases are most common). It originated as a sprightly 17th-century French folk dance for couples. Traditionally, the folkdance was associated with the provinces of Vivarais, Languedoc, Dauphiné, and Provence in southern France, and it became popular as a court dance during the reign of Louis XIV. Its hopping steps were adopted by the skillful dancers of the French and English courts, where it remained fashionable through the 18th century. By the close of the 18th century, however, it had given way in popularity as a ballroom dance (along with the passepied, bourrée, and gigue) to the minuet. In the 20th century, Maurice Ravel would employ this baroque dance in his piano suite Le Tombeau de Couperin.

Sources

Further reading

Anon. 1851. "Rigadoon". Encyclopædia Americana, 1851 edition, edited by Francis Lieber, 39.

Editorial summary

This brief starts where responsible research should: with the source description of “Rigaudon” as cheerful Baroque dance movement in duple meter. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewMost valuable as an event-and-institution map that identifies actors, dates and record creators for deeper historical inquiry. The current lead gives the account dated anchors—1851—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Rigaudon, cheerful and Baroque can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the history & society register because the source frames it as cheerful Baroque dance movement in duple meter. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The record creator and administrative purpose are central evidence, because official documentation reflects both action and institutional priorities. The source revision retrieved here is dated May 12, 2026. The linked authority identifier is Q383845. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1851.

Critical limits

Official terminology may obscure informal participation, dissent or communities documented only indirectly. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

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  • Institutional context
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Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “Rigaudon”, its source revision and the description used here.
  2. Expand the search: follow Rigaudon primary sources, Rigaudon archive and Rigaudon research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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  3. Who created the surviving record, and for what administrative purpose?
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Source & attribution

This entry incorporates text from Rigaudon” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.