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Rhythm and Blues Foundation

organization

Layered newspapers, civic records and oral-history reels arranged as chronological evidence
History and societyInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 26, 2026
Entity authorityQ835728 ↗
Source-derived summary

The Rhythm and Blues Foundation is an independent American nonprofit organization dedicated to the historical and cultural preservation of rhythm and blues music.

The idea for the foundation came in 1987 during discussions about royalties with entertainer Ruth Brown, entertainment attorney Howell Begle, and Ahmet Ertegun, the head of Atlantic Records. Ertegun provided a $1.5 million donation, and the foundation was officially established in 1988 in Washington, D.C., and in 2005 moved its offices to Philadelphia, Pennsylvania. The foundation provides financial support, medical assistance and educational outreach through various grants and programs to support R&B and Motown artists from the 1940s through the 1970s.

The Rhythm and Blues Foundation has also produced their Annual event the Pioneer Awards since the 1980s, then under the Direction of Suzan Jenkins, Executive Director. It also administered the Doc Pomus Financial Assistance Program, The Motown/Universal Music Group Fund, and the Gwendolyn B. Gordy Fuqua Fund providing emergency assistance to legendary aging artists.

Editorial summary

Begin with the source’s own compact description: “Rhythm and Blues Foundation” is organization. The dossier treats that line as a proposition to test through Rhythm, Blues and Foundation, not as a finished interpretation.

Editorial reviewA useful synthesis for locating the documentary relationships between formal authority, participants and affected communities. The current lead gives the account dated anchors—1987, 1988, 2005—that can be checked directly. The linked authority record independently contributes the date 1988. For this dossier, Rhythm, Blues and Foundation is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “organization” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Chronology, provenance and viewpoint should be read together before a broad social or political interpretation is accepted. The source revision retrieved here is dated Apr 26, 2026. The linked authority identifier is Q835728. VIAF identifies the subject as 152882929. The Library of Congress control number is nr94007667. 3 of 4 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1987, 1988 and 2005.

Critical limits

Official terminology may obscure informal participation, dissent or communities documented only indirectly. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
Verify next

Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “Rhythm and Blues Foundation”, its source revision and the description used here.
  2. Expand the search: follow Rhythm and Blues Foundation primary sources, Rhythm and Blues Foundation archive and Rhythm research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Rhythm and Blues Foundation”?
  2. Which voices are present, absent or mediated by the institution?
  3. Who created the surviving record, and for what administrative purpose?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Rhythm and Blues Foundation” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.