Reentrant tuning
effect that occurs with a break in the sequence of pitches to which the strings of a stringed instrument are tuned

Reentrant tuning is a tuning of a stringed instrument in which the strings (or the courses) are not arranged in a continuous order from lowest pitch to highest pitch or from highest to lowest. Instead, at least one string is tuned to a pitch that breaks the otherwise ascending or descending sequence; this discontinuity is known as a re-entry.
Most re-entrant tunings contain only one re-entry. For example, in the ukulele the re-entry occurs between the third and fourth strings, whereas in the Venezuelan cuatro it occurs between the first and second strings.
Instruments
Instruments usually tuned in this way include:
Baroque (5-course) guitar
Five-string banjo
Charango
Cittern
Venezuelan Cuatro
Laouto
Lirone
Mexican Guitarrón
Mexican vihuela
Rajão
Sitar
Theorbo
Tonkori
Soprano and concert ukuleles
Tres Cubano/Cuban Tres
Instruments often (but not always) re-entrantly tuned include:
Tenor guitar
Ten string classical guitar
Tenor and Baritone (occasionally) ukuleles
10-bass Gibson Style U Harp guitar
Instruments not usually considered re-entrant, but which have common re-entrant alternate tunings:
Guitar (Nashville tuning and Joe Beck's alto guitar tuning)
Pedal steel guitar (C6 tuning and E9 tuning)
The standard tunings for instruments with multi-string courses, such as the twelve-string guitar, eight-string bass, or Colombian tiple are not considered re-entrant, as the principal strings of each course are ordered from lowest to highest.
Ukulele
Ukuleles other than the tenor and baritone are most commonly tuned in re-entrant fashion; the tenor often is as well, and occasionally the baritone. These conventional re-entrant tunings G4–C4–E4–A4 are sometimes known as high 4th tunings or high G tuning.
Non-re-entrant tunings, also known as low 4th tunings, exist for these instruments.
Charango
The Andean charango, a small 5-course, 10-string guitar frequently made from an armadillo shell, is most usually tuned in re-entrant fashion, with re-entry before and after the octave strung third course.
Other members of the charango family, such as the hualaycho and charangon are usually similarly tuned; the ronroco is often, but not always tuned re-entrantly.
Begin with the source’s own compact description: “Reentrant tuning” is effect that occurs with a break in the sequence of pitches to which the strings of a stringed instrument are tuned. The dossier treats that line as a proposition to test through Reentrant, tuning and effect, not as a finished interpretation.
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Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Sep 16, 2026. The linked authority identifier is Q7306946. None of the 0 selected statements returned an explicit reference.
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