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Reinhard Schau

German opera director

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 1, 2025
Entity authorityQ53997764 ↗
Source-derived summary

Reinhard Schau (8 September 1935 – 9 March 2019) was a German opera director and lecturer.

Life

Born in Ełk, Schau studied opera direction with Heinz Rückert at the Staatliche Hochschule für Theater und Musik Halle (1954/55) and with Carl Riha at the Hochschule für Musik "Hanns Eisler" in (East-)Berlin (1955–59).

Until 1964, he worked as a director at the Landesbühnen Sachsen in Radebeul, where he collaborated with the dramaturge Dieter Härtwig. From 1964 to 1969, Schau was opera director at the Mecklenburgisches Staatstheater Schwerin, then opera director of the Theater Magdeburg until 1977. He staged the premieres of Dieter Nowka's opera Die Erbschaft (1960), Bill Brook and Old Fritz by Rainer Kunad (both 1965), Zimmermann's Weiße Rose (1968) and Die zweite Entscheidung (1970); the German language premiere of Prokofiev's The Story of a Real Man (1963) and the first GDR performances of Stravinski's The Rake’s Progress and Dantons Tod by Gottfried von Einem (1967).

In 1977, Schau was offered a position at the Hochschule für Musik Franz Liszt, Weimar, where he headed the opera school until 2001. In addition, he held a deputy professorship for scene studies and music theatre. In 1982, he received his doctorate from the Martin Luther University of Halle with a dissertation on singing training in the GDR. Between 1982 and 1988 he published articles in the professional journal Theater der Zeit. Schau initiated the foundation of the " Fördervereins der Musikhochschule Weimar" of the Weimar Academy of Music in 1991, which he subsequently also headed.

After his retirement, the university appointed him as its honorary senator.

Editorial summary

The public source identifies “Reinhard Schau” as german opera director. This brief keeps that definition visible, then builds a research path around Reinhard, Schau and German.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1935, 2019, 1954, 1955—that can be checked directly. The linked authority record independently contributes the date 1935-09-08. Its value is orientation rather than verdict, with Reinhard, Schau and German providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Reinhard Schau”, the useful work is to connect “german opera director” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Sep 1, 2025. The linked authority identifier is Q53997764. VIAF identifies the subject as 47359745. The Library of Congress control number is n2007037977. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1935, 2019, 1954 and 1955.

Critical limits

A concise life account rarely captures disputed attribution, private networks or the changing language used to describe a career. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

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Source & attribution

This entry incorporates text from “Reinhard Schau” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.