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Rebecca Summerton

Australian film producer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 1, 2026
Entity authorityQ129167073 ↗
Source-derived summary

Rebecca "Bec" Summerton is an Australian film producer who does most of her work with Closer Productions in Adelaide, South Australia. Working in film and television across many genres, she is known for producing 52 Tuesdays, The Hunting, Aftertaste, and Animals.

Early life and education

Rebecca Summerton did a Bachelor of Arts at Flinders University in Adelaide.

Career

In 2006 Summerton produced the short film My Last Ten Hours With You, directed by Sophie Hyde, which was screened at the Melbourne International Film Festival in 2007. The film won several awards including at the SA Short Screen Awards (part of the Adelaide Film Festival) including Best Film, Best Direction, Best Drama, and Emerging Producer. It won Best Film at the Mardi Gras My Queer Career Film Festival and the Audience Award at Melbourne Queer Film Festival, and was selected for competition at Uppsala Film Festival in Sweden and St Kilda Film Festival in Melbourne.

She worked at the South Australian Film Corporation in the 2000s, where she was key in the establishment of the FilmLab initiative in 2008, to encourage emerging filmmakers to create their first feature films on a low budget. In 2007-8 she was a part-time project officer at SAFC.

After joining Closer Productions in 2011, she produced the feature documentary Sam Klemke's Time Machine, which premiered at the Sundance Film Festival in 2015 and was also screened at the Rotterdam International Film Festival. In the same year she produced director Sophie Hyde's award-winning debut feature 52 Tuesdays.

Summerton has produced many documentaries, including the Dendy Award-winning short film I Want to Dance Better at Parties in 2014.

Editorial summary

This brief starts where responsible research should: with the source description of “Rebecca Summerton” as australian film producer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2006, 2007, 2008, 2011—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Rebecca, Summerton and Australian can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as australian film producer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 1, 2026. The linked authority identifier is Q129167073. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2006, 2007, 2008 and 2011.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Rebecca Summerton”, its source revision and the description used here.
  2. Expand the search: follow Rebecca Summerton primary sources, Rebecca Summerton archive and Rebecca research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Rebecca Summerton” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.