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Raymond Harry Brown

American musician, composer and arranger

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 16, 2026
Entity authorityQ7298839
Source-derived summary

Raymond Harry "Ray" Brown (born November 7, 1946) is an American composer, arranger, trumpeter, and jazz educator. He has performed as a trumpet player and arranged music for Stan Kenton (early 1970s), Bill Watrous, Bill Berry, Frank Capp, Nat Pierce (of the Juggernaut Big Band), and the Full Faith and Credit Big Band.

Career

Brown joined Stan Kenton in September 1971, succeeding Gary Lee Pack [b. 1950; Director of Jazz Studies (retired), University of Southern Maine], holding the jazz trumpet chair and serving as an improvisation clinician. The Kenton trumpet section included Mike Vax, Jay Saunders, and Dennis Noday. Brown also contributed arrangements for Kenton, including "Mi Burrito" and "Neverbird". Brown remained with the Kenton Orchestra until November 1972.

Before joining the Kenton Orchestra, Brown had served as arranger and trumpeter with the Studio Band of the United States Army Field Band at Fort Meade, Maryland (1968–71). His tenure with the Army Band and Kenton coincided closely with that of Jay Saunders — trumpet player, and jazz educator, who, while with the Kenton Orchestra, eventually played lead trumpet.

Brown currently leads his own big band, the Great Big Band, which has performed at the Monterey Jazz Festival, the San Jose Jazz Festival, the Santa Cruz Jazz Festival, the Lake Tahoe Music Festival, and jazz venues in the San Francisco Bay area.

Early career

1968–71: arranger and trumpet player for the Studio Band of the United States Army Field Band, Fort Meade, Maryland

September 1971 – November 1972: trumpet player (jazz chair) and improvisation clinician with the Stan Kenton Orchestra

1973: became a member of ASCAP

1973–74: trumpet player for Bill Watrous Band in New York

1973–75: led own rehearsal band in New York City

March 1975: received a grant for Jazz, Category I, National Endowment for the Arts (to write a composition for the rehearsal band)

1974–75: teacher of improvisation in nine New Jersey schools through a grant from the New Jersey State Council on the Arts

1974–75: faculty member (teaching arranging, improv, brass), Five Towns College, Merrick, NY

1974–79: played trumpet with the New York Orchestra, Thad Jones, Joe Newman, Ray Brown (bassist), Leroy Vinnegar, Mundell Lowe, Bill Berry (William Richard Berry) Big Band

1980: member of the Nat Pierce and Frankie Capp Big Band

Musical family

Ray's wife, Sue Brown (b.

Editorial summary

“Raymond Harry Brown” enters the record as american musician, composer and arranger. Crown Archives preserves that source wording while asking what Raymond, Harry and Brown can confirm, complicate or overturn.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1946, 1971, 1950, 1972—that can be checked directly. The linked authority record independently contributes the date 1946-11-07. Its strongest next move is a source search built around Raymond, Harry and Brown.
Editorial analysis

Why this record matters

“Raymond Harry Brown” is worth following because a concise public description often conceals a longer documentary argument. Here, Raymond, Harry and Brown provides the most credible route into that argument.

Evidence profile

Chronology provides the most reliable spine for this subject; interpretation should follow only after identities and dates are secure. The source revision retrieved here is dated Jul 16, 2026. The linked authority identifier is Q7298839. VIAF identifies the subject as 108330529. The Library of Congress control number is n85180913. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1946, 1971, 1950 and 1972.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Raymond Harry Brown”, its source revision and the description used here.
  2. Expand the search: follow Raymond Harry Brown primary sources, Raymond Harry Brown archive and Raymond research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Raymond Harry Brown”?
  2. Which claims depend on a single source or contested interpretation?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from Raymond Harry Brown” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.