CACrown ArchivesThe cinema collection
Menu
Research dossier · History & Society

RadioContraband

American radio promotion company

Layered newspapers, civic records and oral-history reels arranged as chronological evidence
History and societyInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJan 15, 2023
Entity authorityQ17125477
Source-derived summary

RadioContraband is a Spokane, Washington-based radio promotion company founded by Steven Walker, Jacob Bunton, and Beatrix Danko. It is a privately held corporation. It also operates the sister company Alternative Contraband.

RadioContraband is a micro social media company that is format specific to the Active rock community. The company's website features industry and artist profiles, music news, radio charts, and new music.

Due to a conflict within the partnership, RadioContraband was dissolved in August 2017.

Awards

The company operates the annual RadioContraband Rock Radio Convention as well as the Rock Radio Awards. The convention first took place in September 2012 at the Mandalay Bay Resort and Casino in Las Vegas with artist showcases taking place at the House of Blues and more recently at the Hard Rock Hotel and Casino with artist showcases taking place at the music venue, Vinyl, and Hard Rock Live on the Las Vegas Strip. The convention features industry panels, artist showcases, and the rock radio awards. Past winners of the RadioContraband Rock Radio Awards include the Foo Fighters; Five Finger Death Punch; Avenged Sevenfold; Metallica; Disturbed; Pop Evil for their song "Trenches"; WMMR/Philadelphia; WJJO/Madison; WZOR/Appleton; WRIF/Detroit; WOZZ / Wausau, Wisconsin; Mark Abramson / Roadrunner Records; and Jackie Kajzer / Eleven Seven Records.

Editorial summary

Begin with the source’s own compact description: “RadioContraband” is american radio promotion company. The dossier treats that line as a proposition to test through RadioContraband, American and radio, not as a finished interpretation.

Editorial reviewA useful synthesis for locating the documentary relationships between formal authority, participants and affected communities. The current lead gives the account dated anchors—2017, 2012—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, RadioContraband, American and radio is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “american radio promotion company” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Contemporary correspondence, administrative files and participant testimony can test how later narratives organized the event or institution. The source revision retrieved here is dated Jan 15, 2023. The linked authority identifier is Q17125477. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2017 and 2012.

Critical limits

Official terminology may obscure informal participation, dissent or communities documented only indirectly. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
Verify next

Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “RadioContraband”, its source revision and the description used here.
  2. Expand the search: follow RadioContraband primary sources, RadioContraband archive and RadioContraband research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “RadioContraband”?
  2. Which voices are present, absent or mediated by the institution?
  3. Who created the surviving record, and for what administrative purpose?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from RadioContraband” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.