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Rachael McLaren

Canadian dancer

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 12, 2026
Entity authorityQ97319810 ↗
Source-derived summary

Rachael McLaren is a Canadian dancer who performed with the Alvin Ailey American Dance Theater.

Early life

McLaren was raised in Winnipeg, Manitoba, and was the youngest of four children. She started ballet at age five, at the Royal Winnipeg Ballet School's recreational program, where she was one of the only black students, and was rejected by the professional program, as she was "not a fit".

Career

At age 17, she was cast as an ensemble member and an understudy of Ali in the Toronto production of Mamma Mia!, despite having little vocal training. Two years later, in 2006, she joined Ailey II in New York City, and entered the main company, Alvin Ailey American Dance Theater, in 2008. She dances both contemporary ballet and modern dance in the company. In 2016, on the occasion of Chroma's 10th anniversary, she and four of her colleagues performed the piece with dancers from The Royal Ballet at the Royal Opera House, London.

As of June 2019, she is no longer on the Ailey company's roster.

Personal life

In November 2020, McLaren did a video interview with the Canadian Broadcasting Corporation. She discussed moving back to Winnipeg to marry her high-school sweetheart, with whom she had been in a long-distance relationship.

Editorial summary

“Rachael McLaren” enters the record as canadian dancer. Crown Archives preserves that source wording while asking what Rachael, McLaren and Canadian can confirm, complicate or overturn.

Editorial reviewA dependable orientation record for establishing vocabulary, names and a first evidence trail. The current lead gives the account dated anchors—2006, 2008, 2016, 2019—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Rachael, McLaren and Canadian.
Editorial analysis

Why this record matters

“Rachael McLaren” is worth following because a concise public description often conceals a longer documentary argument. Here, Rachael, McLaren and Canadian provides the most credible route into that argument.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Apr 12, 2026. The linked authority identifier is Q97319810. None of the 0 selected statements returned an explicit reference. The first chronological checks are 2006, 2008, 2016 and 2019.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow Rachael McLaren primary sources, Rachael McLaren archive and Rachael research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “Rachael McLaren” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.