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Royal Academy Exhibition of 1824

1824 art exhibition in London

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 21, 2026
Entity authorityQ134882974 ↗
Source-derived summary

The Royal Academy Exhibition of 1824 was an art exhibition held at Somerset House in London. Running from 3 May to 10 July 1824 it was the fifty sixth annual Summer Exhibition of the British Royal Academy. Some critics expressed concern about they regarded as the poor quality of the works on display, and suggested this might signal a decline in British art. Ironically, this was the same year British artists enjoyed great success at the Salon of 1824 in Paris which was dubbed the "British Salon" because of the impact of the pictures.

J.M.W. Turner was noted for his absence. Thomas Lawrence, the President of the Royal Academy, submitted a series of portraits that includes his Portrait of the Duke of Devonshire and Portrait of the Duchess of Gloucester as well as The Calmady Children. A number of other noted portraitists who had emerged in the Regency era also displayed works including Martin Archer Shee, William Beechey and Margaret Sarah Carpenter. John Constable featured The Lock the latest of his "six-footers" which he had been displaying at the Academy since 1819. William Etty submitted Pandora Crowned by the Seasons, one of his characteristic nude scenes with a classical theme.

In genre painting David Wilkie displayed Smugglers as well as The Cottage Toilette, based on a scene from The Gentle Shepherd by Allan Ramsay.

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“Royal Academy Exhibition of 1824” enters the record as 1824 art exhibition in London. Crown Archives preserves that source wording while asking what Royal, Academy and Exhibition can confirm, complicate or overturn.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1824, 1819—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Royal, Academy and Exhibition.
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“Royal Academy Exhibition of 1824” is worth following because a concise public description often conceals a longer documentary argument. Here, Royal, Academy and Exhibition provides the most credible route into that argument.

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This entry incorporates text from “Royal Academy Exhibition of 1824” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.