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Punk-O-Rama

compilation album series by Epitaph Records

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 18, 2026
Entity authorityQ1844502
Source-derived summary

Punk-O-Rama is the title given to a series of ten compilation albums published by Epitaph Records. The first volume was released in 1994, the second in 1996, and the rest annually from 1998 to 2005. The albums included artists from Epitaph's roster as well as from its subsidiary label Anti- and its partnership labels Hellcat Records and Burning Heart Records. In total the series included 257 songs contributed by 88 different artists.

Rancid and Pennywise are the only bands to appear on all 10 volumes. Scott Radinsky appears on all 10, 1 with Ten Foot Pole and 9 with Pulley.

As its title implied, the series featured mostly punk rock and various punk subgenres such as garage punk, hardcore punk, pop-punk, post-hardcore, ska punk, skate punk, and street punk. However, as the series went on and the labels' rosters diversified, the music of the Punk-O-Rama compilations grew to include additional styles of music such as alternative hip-hop, alternative rock, digital hardcore, emo, experimental music, garage rock, indie rock, metalcore, psychobilly, and screamo.

Artwork for the series was inconsistent over the first four installments, with cover art and layout provided by varying artists and designers. C. Martin provided artwork and layout for both the fifth and sixth volumes, though they had differing styles and themes.

Editorial summary

This brief starts where responsible research should: with the source description of “Punk-O-Rama” as compilation album series by Epitaph Records. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1994, 1996, 1998, 2005—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Punk-O-Rama, compilation and album can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as compilation album series by Epitaph Records. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 18, 2026. The linked authority identifier is Q1844502. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1994, 1996, 1998 and 2005.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Punk-O-Rama”, its source revision and the description used here.
  2. Expand the search: follow Punk-O-Rama primary sources, Punk-O-Rama archive and Punk-O-Rama research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Punk-O-Rama”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Punk-O-Rama” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.