Concert program
selection of pieces to be performed at a concert
A concert program (in American English) or concert programme (in British English) is a selection and ordering, or programming, of pieces to be performed at an occasion, or concert. Concert programs can be organized into a booklet. In some occasions the programs might be simpler, and will be put on a piece of paper. Programs may be influenced by the available ensemble of instruments, by performer ability or skill, by theme (historical, programmatic, or technical), by musical concerns (such as form), or by allowable time. For example, a brass ensemble may perform an "all brass" program, the pieces of which may be chosen by a theme, such as "all Bach", and the chosen pieces may be ordered so that they build in intensity as the concert progresses. Concert programs may be put together by ensembles, conductors, or ensemble directors, and are often explained in program notes. The structure of modern concert programs can be traced back to the contributions of Felix Mendelssohn while he was director of the Gewandhausorchester in Leipzig. Mendelssohn's programming style consists of an overture (or other short work), a concerto or suite, an intermission, and then a larger work such as a symphony or operatic movement.
Program notes or annotated concert programs are common where contemporary or classical music is being performed. These were introduced in Edinburgh and London in the 1840s, first for chamber music concerts, notably by John Ella and his Musical Union, under the name "Synoptical Analysis".
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This entry incorporates text from “Concert program” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.