Princes Hall
theatre in Aldershot, England
The Princes Hall in Aldershot, England is a 600-seat theatre / receiving house which presents a varied programme of music, ballet, comedy, pantomime.
An additional three function rooms named the Princes Suite, the Edinburgh Suite and the Tichborne Suite (after the prominent Aldershot family) are available for hire for conference, parties and weddings. The Theatre is owned and managed by Rushmoor Borough Council.
The Princes Hall also hosted a vaccination centre during the Covid-19 pandemic.
The Princes Hall was awarded the Devereux Cup in 2008 for its contribution to the arts.
The Princes Hall website www.princeshall.com won Best Recreation or Tourism Website at the 2008 Hantsweb Awards
Background
Commissioned by Rushmoor Borough Council as a civic hall after the demolition of the town's Theatre Royal in 1959 and the Hippodrome theatre in 1961, the Princes Hall was built on the site of the old Warburg Barracks and was designed by Building Design Partnership. It opened in November 1972 with a gala concert by Kenny Ball and the Jazzmen and was named for HRH Prince Philip, Duke of Edinburgh who officially opened the centre on 22 May 1973 and who said: "I'm sure this centre will be a tremendous success. I can’t help feeling that you should all jump up and start dancing. In case there are any doubts – the place is now open".
Entertainers and personalities who have appeared at the Princes Hall include Gene Pitney, Ivor Emmanuel, Billy Fury, Marty Wilde, Heinz, New World, Martha Reeves and the Vandellas, Bobby Crush, Charles Hawtrey, Kenny Ball, Tommy Trinder, Bobby Davro, Syd Lawrence, Geno Washington, Jools Holland, Jane McDonald, Anna Karen, Joe Brown, Harry Corbett and Matthew Corbett in the Sooty Show, Little and Large, The Krankies, Val Doonican, Barbara Dickson, Danny La Rue, Lenny Henry, Dan Snow, Norman Wisdom, Des O'Connor, Alvin Stardust, The Hollies, Joan Armatrading and Katherine Jenkins.
“Princes Hall” enters the record as theatre in Aldershot, England. Crown Archives preserves that source wording while asking what Princes, Hall and theatre can confirm, complicate or overturn.
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“Princes Hall” is worth following because a concise public description often conceals a longer documentary argument. Here, Princes, Hall and theatre provides the most credible route into that argument.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q7244448. Authority coordinates are 51.251, -0.768. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2008, 1959, 1961 and 1972.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
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This entry incorporates text from “Princes Hall” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.