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Ezra Pound

American poet and critic (1885–1972)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 12, 2026
Entity authorityQ163366
Source-derived summary

Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and The Cantos (c. 1915–1962).

Pound's contribution to poetry began in the early 20th century with his role in developing Imagism, a movement stressing precision and economy of language. Working in London as foreign editor of several American literary magazines, he helped to discover and shape the work of contemporaries such as H.D., Robert Frost, T. S. Eliot, Ernest Hemingway, and James Joyce. He was responsible for the 1914 serialization of Joyce's A Portrait of the Artist as a Young Man, the 1915 publication of Eliot's "The Love Song of J. Alfred Prufrock", and the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1932 that, for poets born in the late 19th or early 20th century, not to be influenced by Pound would be "like passing through a great blizzard and not feeling its cold".

Angered by the carnage of World War I, Pound blamed the war on finance capitalism, which he called "usury". He moved to Italy in 1924 and through the 1930s and 1940s promoted an economic theory known as social credit, wrote for publications owned by the British fascist Oswald Mosley, embraced Benito Mussolini's fascism, and expressed support for Adolf Hitler. During World War II, Pound recorded hundreds of paid radio propaganda broadcasts for the fascist Italian government and its later incarnation as a German puppet state, in which he attacked the United States government, Franklin D. Roosevelt, Britain, international finance, the arms industry, Jews, and others as abettors and prolongers of the war. He also praised both eugenics and the Holocaust in Italy, while urging American G.I.s to throw down their rifles and surrender. In 1945, Pound was captured by the Italian Resistance and handed over to the U.S. Army's Counterintelligence Corps, who held him pending extradition and prosecution based on an indictment for treason.

Editorial summary

The public source identifies “Ezra Pound” as american poet and critic (1885–1972). This brief keeps that definition visible, then builds a research path around Ezra, Pound and American.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1885, 1972, 1912, 1920—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Ezra, Pound and American providing the first useful test.
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A short description can identify a subject without explaining its stakes. For “Ezra Pound”, the useful work is to connect “american poet and critic (1885–1972)” to the records capable of establishing context and consequence.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Sep 12, 2026. The linked authority identifier is Q163366. The first chronological checks are 1885, 1972, 1912 and 1920.

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Source & attribution

This entry incorporates text from Ezra Pound” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.