CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Portrait of Henry Fuseli

painting by James Northcote

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 27, 2026
Entity authorityQ28048051 ↗
Source-derived summary

Portrait of Henry Fuseli is an oil on canvas portrait painting by the British artist James Northcote, from 1778. It depicts the Swiss painter Henry Fuseli.

History

The picture was produced while the two were in Rome, where they first met and rapidly became friends. Northcote was a protégé of Joshua Reynolds while Fuseli became known for his unusual, expressive Gothic-inspired works. Both men became prominent members of the Royal Academy of Arts in London. Despite their friendship Northcote commented that he felt Fuseli "has a manner with him that never appears to me like that of a gentleman, but more like that of a Swiss valet". Today the painting is in the collection of the National Portrait Gallery, in London, having been acquired in 1982.

References

Bibliography

Derbyshire, Valerie. The Picturesque, the Sublime, the Beautiful: Visual Artistry in the Works of Charlotte Smith (1749-1806).

Myrone, Martin.

Editorial summary

Begin with the source’s own compact description: “Portrait of Henry Fuseli” is painting by James Northcote. The dossier treats that line as a proposition to test through Portrait, Henry and Fuseli, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1778, 1982, 1749, 1806—that can be checked directly. The linked authority record independently contributes the date 1778. For this dossier, Portrait, Henry and Fuseli is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “painting by James Northcote” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 27, 2026. The linked authority identifier is Q28048051. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1778, 1982, 1749 and 1806.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Portrait of Henry Fuseli”, its source revision and the description used here.
  2. Expand the search: follow Portrait of Henry Fuseli primary sources, Portrait of Henry Fuseli archive and Portrait research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Portrait of Henry Fuseli”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Portrait of Henry Fuseli” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.