Portrait of Alexander I of Russia
painting by Sir Thomas Lawrence

Portrait of Alexander I of Russia is an 1818 portrait painting by the English artist Thomas Lawrence featuring the Russian Tsar Alexander I, who had reigned since the overthrow and murder of his father in 1801. It was one of a large series of paintings that Lawrence, the most fashionable painter of the Regency Era, produced of European leaders.
Sitter
Alexander had made peace and allied with Napoleon at the Treaty of Tilsit in 1807, but following the French invasion of Russia in 1812 he had joined forces with Britain to repel him. After the initial defeat of the French Emperor in 1814 during the War of the Sixth Coalition, the Allied sovereigns visited London for victory celebrations in June 1814. Alexander remained a prominent member of the international Congress System, until 1825, when he died in mysterious circumstances.
Painting
The Prince Regent commissioned Lawrence to paint several of the visiting dignitaries. The resulting works included his Portrait of Marshal Blucher and a depiction of the Russian Cossack commander Matvei Platov. Aledander I is depicted standing, looking to the left, in a dark background. He is shown in the uniform who wore at the Battle of Leipzig in 1813.
Lawrence was paid 500 guineas for the work.
This brief starts where responsible research should: with the source description of “Portrait of Alexander I of Russia” as painting by Sir Thomas Lawrence. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as painting by Sir Thomas Lawrence. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 27, 2026. The linked authority identifier is Q28028993. 1 of 1 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1818, 1801, 1807 and 1812.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Portrait of Alexander I of Russia”, its source revision and the description used here.
- Expand the search: follow Portrait of Alexander I of Russia primary sources, Portrait of Alexander I of Russia archive and Portrait research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Portrait of Alexander I of Russia”?
- Which edition, object, performance or recording is being described?
- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “Portrait of Alexander I of Russia” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.