Polyushko-pole
Russian song

"Song of the Plains" (Russian: Полюшко-поле), also known as "Meadowlands", "Cavalry of the Steppes" or "O Fields, My Fields", is a Soviet song. In Russian, póle (поле) means 'plain', and pólyushko (полюшко) is a diminutive and hypocoristic form of póle.
Soviet arrangements
The music was composed by Lev Knipper, with lyrics by Viktor Gusev in 1933. The song was part of the symphony with chorus (lyrics by Gusev) "A Poem about a Komsomol Soldier" (Поэма о бойце-комсомольце) composed in 1934. The original lyrics are sung from the perspective of a Red Army recruit, who proudly leaves his home to keep watch against his homeland's enemies.
The song was covered many times by many artists in the Soviet Union, including a well-known rock version recorded by Poyushchiye Gitary, released c. 1967. The song has been regularly performed and recorded by the Alexandrov Ensemble, best known as the Red Army Choir, and it is listed in the Alexandrov Ensemble discography.
Full version at London 1945 Youth Congress
At the opening of the London 1945 Youth Congress, the full version of Polyushko-polye was performed by a choir of 6,000 members.
Other arrangements
Paul Robeson recorded the song in 1942 under the title "Song of the Plains", sung both in English and Russian.
Begin with the source’s own compact description: “Polyushko-pole” is russian song. The dossier treats that line as a proposition to test through Polyushko-pole, Russian and song, not as a finished interpretation.
Why this record matters
The phrase “russian song” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.
Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated May 23, 2026. The linked authority identifier is Q596389. The first chronological checks are 1933, 1934, 1967 and 1945.
Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “Polyushko-pole”, its source revision and the description used here.
- Expand the search: follow Polyushko-pole primary sources, Polyushko-pole archive and Polyushko-pole research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Polyushko-pole”?
- Where is authorship, date or provenance documented?
- Which edition, object, performance or recording is being described?
Search terms from this dossier
This entry incorporates text from “Polyushko-pole” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.