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Polyphony

music with multiple, independent melody lines performed simultaneously

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 30, 2026
Entity authorityQ179465
Source-derived summary

Polyphony ( pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice (monophony) or a texture with one dominant melodic voice accompanied by chords (homophony).

In the Western musical tradition, the term polyphony is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the species terminology of counterpoint, polyphony was generally either "pitch-against-pitch" (sometimes called "point-against-point") or a sustained-pitch in one part with melismas in another. In all cases the concept was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with parts modified at the end if necessary. This point-against-point concept is opposed to "successive composition", where voices were written in an order with each new voice fitting into the previous construction.

The term polyphony is also sometimes used more broadly, to describe any musical texture that is not monophonic. Such a perspective considers homophony as a sub-type of polyphony.

Antecedents

Polyphony in traditional music has a wide, if uneven, distribution among the peoples of the world. Most polyphonic regions of the world are in sub-Saharan Africa, Europe and Oceania.

Editorial summary

The public source identifies “Polyphony” as music with multiple, independent melody lines performed simultaneously. This brief keeps that definition visible, then builds a research path around Polyphony, music and multiple.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1999—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Polyphony, music and multiple providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Polyphony”, the useful work is to connect “music with multiple, independent melody lines performed simultaneously” to the records capable of establishing context and consequence.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Aug 30, 2026. The linked authority identifier is Q179465. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1999.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from Polyphony” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.