CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Punjabi cinema

Punjabi-language film industry of India

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 22, 2026
Entity authorityQ5120791 ↗
Source-derived summary

Punjabi cinema, also known as Pollywood or Punjwood, is cinema dedicated to the production of motion pictures in the Punjabi-language widely spoken in the Indian state of Punjab. It is based in Amritsar, Ludhiana, and Mohali.

Punjabi cinema began with the 1928 silent film of Daughters of Today, produced in the region in Lahore. In 1932, the first sound film, Heer Ranjha, using sound-on-disc technology, was released. 2,377 short-films and 117 feature-films were produced in Punjabi by 1989.

History

Silent Era (1920's)

In 1924, the first Punjabi film, Daughters of Today, was released in Lahore; the city had nine operational cinema houses. Movies shown at these cinemas were mostly produced in Bombay and Calcutta, and seldom from Hollywood and London. Daughters of Today was a brainchild of G.K. Mehta, a former officer with the North-Western Railways who, much like H. S. Bhatavdekar, had imported a camera into the country. Mehta continued to produce newsreel coverage for companies abroad and delved into further film projects but his dedication gave way when he promptly left the film industry for more profitable ventures.

In 1928, alongside Muhammad Ismail, Abdur Rashid Kardar who previously worked with Mehta, started a studio and production company under the name United Players Corporation after having sold all his belongings.

Editorial summary

“Punjabi cinema” enters the record as punjabi-language film industry of India. Crown Archives preserves that source wording while asking what Punjabi, cinema and Punjabi-language can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1928, 1932, 1989, 1920—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Punjabi, cinema and Punjabi-language.
Editorial analysis

Why this record matters

“Punjabi cinema” is worth following because a concise public description often conceals a longer documentary argument. Here, Punjabi, cinema and Punjabi-language provides the most credible route into that argument.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 22, 2026. The linked authority identifier is Q5120791. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1928, 1932, 1989 and 1920.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Punjabi cinema”, its source revision and the description used here.
  2. Expand the search: follow Punjabi cinema primary sources, Punjabi cinema archive and Punjabi research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Punjabi cinema”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Punjabi cinema” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.