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The Faders

British female pop rock band

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 20, 2026
Entity authorityQ520092 ↗
Source-derived summary

The Faders were a British female pop rock band, formed in January 2004 by Polydor Records. Bassist and keyboardist Toy Valentine and drummer Cherisse Osei were the first members to get through the first audition. Frontwoman and lead guitarist, Molly Lorenne (daughter of Midge Ure and Annabel Giles), was later introduced to the band by a mutual friend, completing the lineup.

Members

Molly Lorenne (born Molly Decima Ure, 7 March 1987) – lead vocals and lead guitar

Toy Valentine (born 4 July 1985) – bass, rhythm guitar, keyboards, backing vocals, songwriting

Cherisse Osei (born 23 December 1986) – drums, backing vocals

Career

After signing to Polydor, the band released their debut single, "No Sleep Tonight", which reached No. 13 in the UK Singles Chart, in March 2005. Their second single, "Jump", came out a few months later and reached No. 21. In April 2006, weeks before the third single "Look At Me Now" was released, the band was dropped from Polydor. The band made fun of this fact by wearing slogan T-shirts saying "Polygone" in a style mimicking the Polydor logo. With various members of the group not wanting to look for another record deal, news of the group splitting appeared on their MySpace page, mailing lists and official forum on 6 July 2006.

Editorial summary

“The Faders” enters the record as british female pop rock band. Crown Archives preserves that source wording while asking what Faders, British and female can confirm, complicate or overturn.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—2004, 1987, 1985, 1986—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Faders, British and female.
Editorial analysis

Why this record matters

“The Faders” is worth following because a concise public description often conceals a longer documentary argument. Here, Faders, British and female provides the most credible route into that argument.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Aug 20, 2026. The linked authority identifier is Q520092. The first chronological checks are 2004, 1987, 1985 and 1986.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from “The Faders” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.