CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Between the Buttons

1967 studio album by the Rolling Stones

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 9, 2026
Entity authorityQ753502
Source-derived summary

Between the Buttons is the fifth studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and 23 January in the United States. Reflecting the band's brief foray into psychedelia and baroque pop balladry during the era, the album is among their most eclectic works; multi-instrumentalist Brian Jones frequently abandoned his guitar during the sessions in favour of instruments such as vibraphone, electric dulcimer, banjo, kazoo, theremin and saxophone. Additional keyboard contributions came from frequent contributors Ian Stewart (piano, organ), Jack Nitzsche (piano, harpsichord) and Nicky Hopkins (piano). Between the Buttons would be the band's last album produced by Andrew Loog Oldham, who had, to this point, acted as the band's manager and produced all of their albums.

As with prior albums, the American and British versions contained slightly different track listings. The American version of Between the Buttons, which replaces "Back Street Girl" and "Please Go Home" with "Let's Spend the Night Together" and "Ruby Tuesday", is on the 2003 and 2012 versions of Rolling Stone magazine's 500 Greatest Albums of All Time. Between the Buttons reached number 3 on the British album charts and number 2 on the U.S. Billboard Top LPs chart.

Recording and background

On the previous album, Aftermath, Brian Jones introduced a large number of different instruments to the recording sessions, a trend he continued on this album. Jones only contributed electric guitar on one track apiece on the American release and the British version. Bill Wyman plays bass on all except three tracks (which instead feature guitarist Keith Richards on bass), and drummer Charlie Watts and lead singer Mick Jagger appear on all tracks.

Editorial summary

This brief starts where responsible research should: with the source description of “Between the Buttons” as 1967 studio album by the Rolling Stones. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1967, 2003, 2012—that can be checked directly. The linked authority record independently contributes the date 1967-01-20. The account is most persuasive where Between, Buttons and studio can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1967 studio album by the Rolling Stones. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 9, 2026. The linked authority identifier is Q753502. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1967, 2003 and 2012.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Between the Buttons”, its source revision and the description used here.
  2. Expand the search: follow Between the Buttons primary sources, Between the Buttons archive and Between research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Between the Buttons”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Between the Buttons” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.