Sueño Stereo
1995 studio album by Soda Stereo

Sueño Stereo (Spanish for Stereo Dream) is the seventh and final studio album recorded by Argentine rock band Soda Stereo. It was released by BMG Argentina in 1995. It is considered one of the most important alternative rock records in Spanish and one of the most successful by the band. Rolling Stone considered it the fourth-best in Latin rock history.
In just fifteen days of sales in Latin America, the album went platinum. The album was the centerpiece of the extensive Sueño Stereo tour that the band undertook in Venezuela, Colombia, Peru, Chile, Honduras, Panama, Costa Rica, Mexico and the United States, which began on September 8, 1995, in Buenos Aires, Argentina, and ended on 24 April 1996 in Santiago, Chile.
During the 1996 MTV Video Music Awards, the music video for "Ella usó mi cabeza como un revólver", directed by Stanley Gonczanski, won the Award for International Viewer's Choice in the MTV Latin America category, the first award of the kind given to Latin music.
Background
Although Soda Stereo were known by mixing many styles and genres inside a same album, this record goes beyond and it has many more different sounds and influences, like pop, pop rock, alternative rock, dream pop, Britpop, electronic, shoegaze, progressive rock, psychedelic pop or ambient pop. Sueño Stereo was heavily inspired by the Beatles' Revolver (1966) and contains many references to it, such as the colors on the album cover; a song with the word "Revolver" in it, the lead single "Ella usó mi cabeza como un revólver"; and songs like "Paseando por Roma", which has a bass line based on "Taxman" and strings in the chorus based on "Got to Get You into My Life", as well as the B-side "Superstar" which is based on "She Said She Said". In 1995 they traveled to London, UK, to make the final mix of the album, and in an interview they spoke about the Beatles influence throughout their career.
“Sueño Stereo” enters the record as 1995 studio album by Soda Stereo. Crown Archives preserves that source wording while asking what Sueño, Stereo and studio can confirm, complicate or overturn.
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“Sueño Stereo” is worth following because a concise public description often conceals a longer documentary argument. Here, Sueño, Stereo and studio provides the most credible route into that argument.
Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jul 29, 2026. The linked authority identifier is Q7634442. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1995, 1996 and 1966.
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This entry incorporates text from “Sueño Stereo” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.