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Plácido Acevedo

musician (1903–1974)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 30, 2026
Entity authorityQ7205908 ↗
Source-derived summary

Plácido Acevedo (1904 – 1974) was a musician born in Aguadilla, Puerto Rico.

He played the flute and trumpet and was also a composer, known for his originality. Acevedo's compositions include "Boda Gris" (Gray Wedding), "Por seguir tus huellas" (By Following Your Steps), and "Cabellera Blanca" (White Hair).

After learning to play the flute, given by his father, Plácido Acevedo Sr., he studied the trumpet, and when he attained mastery of the instrument, he traveled to New York, where he made his best creations. One of his most popular compositions was the "Zorzal" (Robin). This composition was sung by almost everybody in his time.

He created numerous other pieces, including "Comedia" (Comedy), "Cuál Mágica Visión" (What Magical Vision), "Amargas Mi Existencia" (You Bitter My Existence), "Santuario Sagrado" (Sacred Sanctuary), "Tus Besos Me Hicieron Tanto Daño" (Your Kisses Harmed Me), "Hiéreme Sin Compasión" (Wound Me Without Compassion), "El Flamboyán", "Tu Castigo Será Grande" (Your Punishment Will Be Great), "Dulce veneno" (Sweet Poison), "Pobre Bardo" (Poor Bard), and "Dueña De Mi Inspiración" (Owner Of My Inspiration).

He founded the Mayarí Quartet in the 1930s, in honor of a town in Cuba. This Quartet is part of Puerto Rican musical history, having recorded more than thirty CDs.

After Acevedo's death, Chiquitín García became the director of the Mayarí Quartet.

Editorial summary

The public source identifies “Plácido Acevedo” as musician (1903–1974). This brief keeps that definition visible, then builds a research path around Plácido, Acevedo and musician.

Editorial reviewA productive starting point for separating a subject’s documented career from later reputation and commemoration. The current lead gives the account dated anchors—1904, 1974—that can be checked directly. The linked authority record independently contributes the date 1903-01-01. Its value is orientation rather than verdict, with Plácido, Acevedo and musician providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Plácido Acevedo”, the useful work is to connect “musician (1903–1974)” to the records capable of establishing context and consequence.

Evidence profile

The entry’s evidential value lies in the named roles, institutions and publications that can be tested against primary documentation. The source revision retrieved here is dated May 30, 2026. The linked authority identifier is Q7205908. VIAF identifies the subject as 78394324. The Library of Congress control number is no98053136. 3 of 3 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1904 and 1974.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from “Plácido Acevedo” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.