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Post Traumatic

2018 album by Mike Shinoda

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 23, 2026
Entity authorityQ51097283
Source-derived summary

Post Traumatic is the debut solo studio album by American musician Mike Shinoda. It was released on June 15, 2018, through Warner Bros. Records and Shinoda's label Machine Shop Records. Issued under Shinoda's own name instead of the Fort Minor moniker, it is his second studio album outside of his band Linkin Park after Fort Minor's The Rising Tied (2005).

The album was announced on March 29, 2018, along with the release of two songs to promote the album, "Crossing a Line" and "Nothing Makes Sense Anymore". "Crossing a Line" and "Make It Up as I Go" were issued to radio stations as the album's two official singles.

Shinoda himself served as the primary producer of the album but with additional production on a few tracks by BASECAMP, Andrew Dawson, and Boonn. Linkin Park guitarist Brad Delson, Blackbear, K.Flay, Deftones lead vocalist Chino Moreno, Machine Gun Kelly, Ross Golan, Kevin Hissink (Boonn), and Grandson helped write some songs, though most were written by Shinoda.

The album contains content Shinoda recorded mostly by himself but additional instruments were played by Linkin Park drummer Rob Bourdon, Darren King, and Boonn with the content having been written by Shinoda after the death of his Linkin Park bandmate Chester Bennington on July 20, 2017. The three songs from the Post Traumatic EP are included as the first three songs of this album.

Editorial summary

Begin with the source’s own compact description: “Post Traumatic” is 2018 album by Mike Shinoda. The dossier treats that line as a proposition to test through Post, Traumatic and album, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2018, 2005, 2017—that can be checked directly. The linked authority record independently contributes the date 2018-06-15. For this dossier, Post, Traumatic and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2018 album by Mike Shinoda” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Aug 23, 2026. The linked authority identifier is Q51097283. None of the 1 selected statements returned an explicit reference. The first chronological checks are 2018, 2005 and 2017.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Post Traumatic”, its source revision and the description used here.
  2. Expand the search: follow Post Traumatic primary sources, Post Traumatic archive and Post research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Post Traumatic”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
Subject index

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Source & attribution

This entry incorporates text from Post Traumatic” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.