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Tale of the Pipa

Chinese drama by Gao Ming

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 7, 2026
Entity authorityQ6750166
Source-derived summary

Tale of the Pipa (traditional Chinese: 琵琶記; simplified Chinese: 琵琶记; pinyin: Pípa jì; Wade–Giles: P'i-p'a chi "Tale of the Pipa" or "The Story of the Lute") is a Chinese nanxi play written by the playwright Gao Ming during the late Yuan dynasty. There are French, German, English translations of the play, and an English novelization-translation.

It was the most popular drama during the Ming dynasty, and it became a model for Ming drama as it was the favorite opera of the first Ming emperor Zhu Yuanzhang.

The play is set during the Han dynasty. Based on an older play, Zhao Zhen nü and Cai Erlang (趙貞女蔡二郎), also known as Zhao zhen nü (趙貞女, The Chaste Maiden Zhao), it tells the story of a loyal wife named Zhao Wuniang (趙五孃; 赵五娘; Zhào Wǔniáng; Chao4 Wu3-niang2) who, left destitute when her husband Cai Yong is forced to marry another woman, undertakes a 12-year search for him. During her journey, she plays the pipa of the play's title in order to make a living. The original story sees Zhao killed by a horse and Cai struck by lightning, however in Gao Ming's version the two are eventually reconciled and live out their lives happily. Gao reportedly composed The Lute over a three-year period of solitary confinement, locking himself in an attic room and wearing down the floorboards by tapping out the rhythms of his songs.

Key differences between the versions

During the Song dynasty, the nanxi play Zhao Zhen nü and Cai Erlang portrays Cai Bojie as a cold‑hearted and unfeeling man who abandons his parents and his wife in pursuit of fame and official rank, and is ultimately struck dead by heavenly thunder. In contrast, Gao Ming’s Yuan‑dynasty adaptation The Tale of the Pipa completely overturns this characterization, recasting Cai Bojie as a tragic figure caught between the competing demands of filial piety and loyalty to the state.

Editorial summary

This brief starts where responsible research should: with the source description of “Tale of the Pipa” as chinese drama by Gao Ming. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current 316-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. The account is most persuasive where Tale, Pipa and Chinese can be independently traced.
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Why this record matters

The subject matters to the general reference register because the source frames it as chinese drama by Gao Ming. Its deeper value depends on whether names, dates, institutions and citations support that framing.

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Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Sep 7, 2026. The linked authority identifier is Q6750166. None of the 0 selected statements returned an explicit reference.

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Source & attribution

This entry incorporates text from Tale of the Pipa” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.